A demonstration on March 15, 1922 on Palace Roof, 57th Street and 7th Avenue, showing the shellproof steel jacket. Leo Krause wearing the jacket, which weighs 12 pounds. Shots used, 38 and 45 calibre, at close range. (Photo by Bettmann Archive)

Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge walk hand in hand from Buckingham Palace the day after their wedding to a waiting helicopter as they leave for a secret honeymoon location, on April 30, 2011 in London, England. The marriage of Prince William and Catherine Middleton was led by the Archbishop of Canterbury and was attended by 1900 guests, including foreign Royal family members and heads of state. Thousands of well-wishers from around the world have also flocked to London to witness the spectacle and pageantry of the Royal Wedding. (Photo by John Stillwell - WPA Pool/Getty Images)

Italian actress Sophia Loren attends the Cannes Film Festival in Cannes, France, 1954. (Photo by AGIP/RDA/Getty Images)

This November 8, 2019, photo provided by John Guillote shows a view from the main lab of the Sikuliaq in the Chukchi Sea. University of Washington scientists onboard the research vessel are studying the changes and how less sea ice will affect coastlines, which already are vulnerable to erosion because increased waves delivered by storms. More erosion would increase the chance of winter flooding in villages and danger to hunters in small boats. (Photo by John Guillote via AP Photo)

Senate pages wear eclipse glasses as they view the moon partially covering the sun during a total solar eclipse, in front of the U.S. Senate on Capitol Hill, Monday, April 8, 2024, in Washington. (Photo by Alex Brandon/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.