A new book published by the UK Natural History Museum showcases some of the most memorable underwater photographs taken over the last few decades in its annual wildlife photographer of the year competition. Here: Giant gathering by Tony Wu. “The first indication that something extraordinary was going on were the blows, huge numbers of them – the exhalations of huge numbers of whales. Entering the water, the photographer witnessed an extraordinary scene”. (Photo by Tony Wu/Unforgettable Underwater Photography/NHM)

Kevin Russ, a photographer & image moderator for iStockphoto, grew up in Arroyo Grande, California. In 2003, he made the move to Portland, planning to study at Multnomah Bible College. Finding the workload to be minimal, Kevin invested in a camera, filling his free time and finding himself instantly smitten with the craft. A year and a half later, photography had evolved into his full-time job. However, after 4 years of consistent portrait work, Kevin became burnt out and took a step back from photography altogether. Two years later, he picked up the camera again and now spends the majority of his time on the road, exploring & photographing the rustic landscapes & wildlife he encounters.

Donna Dotan has a self-described obsession with symmetry. Her prowess with architectural photography is well applied in her personal project, “Reflections from Above”, where she captures striking images of New York City reflected in the glass of skyscrapers. She describes the project as a treasure hunt, and says that she is looking for an all-glass skyscraper to add more reflections to her series. (Photo by Donna Dotan)

Todd Bretl specializes in underwater photography, and is able to capture striking photos of aquatic life big and small. His photos of sharks are particularly striking; though he rarely faces hostility from the animals, he tries not to spend too much time looking through his viewfinder and many shots are framed by educated guesses and impeccable timing. What follows are photographs taken over the past several years on trips to the Bahamas and Isla Guadalupe, an island off the coast of the Baja California peninsula in Mexico. (Photo by Todd Bretl)

Online hostess Xianggong (L) and other hostesses check their pictures as they gather around the photographer while taking part in a football-themed photoshoot at a photography studio in Beijing March 4, 2015. In China's online hostessing world, men find virtual company and the women can find riches. Xianggong is one of more than 10,000 hostesses on the internet site bobo.com, a live broadcasting web platform where anyone can record themselves singing, playing piano, dancing or just chatting. (Photo by Jason Lee/Reuters)

An innovative photographer attached a camera to a remote-controlled car, allowing him to capture angles of wild lions, rhinos and other animals. Over the last 11 years, Chris Bray has been taking pictures of animals using his toy car contraption while he takes guests on photography tours in Kenya. (Photo by Chris Bray/Caters News Agency)

More than 400 people stripped off and ran into freezing waters to celebrate the autumn equinox – and raise money for charity at Druridge Bay, Britain, September 25, 2016. It was the largest turnout the North East Skinny Dip has ever seen in its five-year history, and it was also the first time it has ever rained on the morning of the event. Revellers gathered from 5.30am on Sunday at Druridge Bay, in Northumberland, before baring all in the North Sea. (Photo by David Charlton Photography)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)