Polish photojournalist Arkadiusz Podniesiński ventures into the most devastated areas of Japan's Fukushima Exclusion Zone.

Fireworks from Japan light up the sky at the start of the 6th Pyro musical competition Saturday, February 7, 2015 at the Mall of Asia shopping complex at suburban Pasay city south of Manila, Philippines. The fireworks competition, which runs for six consecutive weekends, features entries from 11 countries as host country the Philippines, Canada, United States, Japan, United Kingdom, Brazil, Portugal, China, Mexico, Italy, The Netherlands and Sweden, with Canada winning the championship last year. (Photo by Bullit Marquez/AP Photo)

Japanese Yuuka Hasumi, 17, and Ibuki Ito, 17, also from Japan, who want to become K-pop stars, perform during their street performance in Hongdae area of Seoul, South Korea, March 21, 2019. (Photo by Kim Hong-Ji/Reuters)

Photo: Vladimir Ilyich Lenin (1870 – 1924) lying in state in the Kremlin. (Photo by Hulton Archive/Getty Images). 1924

Important! For the same article in Russian language click here.

Something quite intriguing is happening within Russian-speaking internet during the last few – should you type a fully academic inquiry (at least, according to Russian academic requirements) in national search engines for "Lenin's mausoleum" – the first thing you get (even in top 10 searches) is website pages talking about black magic and occult. Website authors view this construction differently, but unconditionally agree on one thing: the mausoleum of the "leader of the world proletariat” – the essence of a magical artifact, a sort of “energy vampire”. It was built with a certain purpose: to drain the energy out of miserable Soviet citizens on one hand; and to poison the anthroposphere of one-sixth part of the earth with its vibes (the exact territory that was occupied by the former Soviet Union), depriving the Russian people of will to resist on the other hand. Complete nonsense? No doubt. Nevertheless, an intriguing one. Well, probably because some oddities do exist in mausoleum's history. These oddities are the thing we are going to discuss this time. First, let me refresh you memory on the subject.

A member of Four Paws International team carries a pelican to be taken out of Gaza, at a zoo in Khan Younis in the southern Gaza Strip August 23, 2016. Fifteen animals including a bengal tiger were removed from “the world’s worst zoo” in the Gaza town of Khan Younis as it was finally closed down. Animal welfare group, Four Paws International, will help bring most of the refugees to a zoo in Jordan, but the tiger will be taken to a refuge in South Africa. (Photo by Ibraheem Abu Mustafa/Reuters)

Japanese sеx doll exhibition attracts hundreds of mannequin-fetishists to celebrate 40 years of the X-rated love bots in Tokyo, Japan on May 19, 2017. These silicon seductresses were the star of an extraordinary exhibition in Japan showcasing sеx dolls that cost as little as a second hand car. Japanese sеx doll maker Orient Industry (originally Orient made dolls for disabled people) were laying bare their dazzling bevvy of beauties in an extravaganza to mark its 40th anniversary this week. Here: Orient industry prides itself on its detail with two looking extremely real as they sit flirtatiously on a couch. (Photo by Masatoshi Okauchi/Rex Features/Shutterstock)

Gohei Hayashi of Kyoto University is seen in side his movable eco and healing house, “Kujira (Whale) House” July 21, 2007 in Tokyo, Japan. The house is made from Japanese paper, bamboo and tatami mat. Hayashi has travelled 500 km from Japan's ancient city, Kyoto to Tokyo with his eco house to promote his house which can be placed both out inside and outside to provide a private space. The Kujira house is available at the price of 800,000 yen (roughly US$6600). (Photo by Koichi Kamoshida/Getty Images)

A woman and her two dogs named Yoru (R) and Hinaka bath in the water at Takeno Beach on August 4, 2013 in Toyooka, Japan. This beach is open for dogs and their owners every summer between the months of June and September. (Photo by Buddhika Weerasinghe)