Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

A car buff came home to find his prized motor looking a like a dog's dinner after his pet pooch chewed through the £80,000 Aston Martin.
Luce, a four-year-old border collie spaniel cross, waited until builder Royston Grimstead had left for work before she started chomping her way through the DB9 Volante's wheel arch, doing £3,000 worth of damage.

Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.

“They're some of the most intriguing and complex creatures on the planet but they really do have nothing to hide – because theyre totally see-through. Transparent animals – creatures with clear glass-like skin – can be found all over the world but their very existence is still shrouded in mystery. The fascinating organisms verge on the invisible and their translucent skin often helps them elude predators”. – Caters News. Photo: Thornback Skate. (Photo by Ken Lucas/Caters News)

“David Stoker creates images that tell a story. Rich and atmospheric, his images stop a moment in time letting the viewer decide, or wonder, just what each character is doing. David's work has been recognized in the 2011 Communication Arts Photo Annual, Communication Arts Fresh online, Graphis 100 Best in Photography 2012, PDN’s Photo Annual (2009, 2011), Luezer's Archive, and the International Photography Awards (IPA's – 2009, 2010)”.

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)