Her name is Aurora, and she is the star of “Aurora's Parade”, the London chapter of ceride – Greenpeace’s global day of action to protest against Arctic destruction. According to DesignBoom, this giant people-powered super-puppet weighs about 3 tons and needs 15 puppeteers and 30 volunteers to operate. Aurora, described as “part protest, part performance”, has fur that includes the names of each supporter in the movement. Greenpeace hopes she will bring the voice and spirit of the Arctic to the public.

A student is assisted by teachers after she fell ill while marching in a parade celebrating Saint Peter's day in Lima, Peru, Monday, June 29, 2015. During the feast day of the Catholic saint, who is the patron saint of fishermen, coastal communities pay homage to St. Peter, whose statue is paraded to the sea and petitions are made to keep their vessels and all who work on them safe. (Photo by Rodrigo Abd/AP Photo)

Yalena Leuliette, 7, of Greenbelt, Md., throws seeds from a cattail plant up in the air as she plays while visiting the Kenilworth Aquatic Gardens in northeast Washington, on Sunday, August 9, 2015. Leuliette visits the public garden with her parents a few times a year. (Photo by Jacquelyn Martin/AP Photo)

Laura Halford of Wales jumps during her hoop routine as she competes in the rhythmic gymnastics individual all-around final event at the 2014 Commonwealth Games in Glasgow, Scotland, July 25, 2014. (Photo by Phil Noble/Reuters)

One glance at the 3D models created by Rebeca Puebla is enough to realize that this artist has a soft spot for BDSM. The finely detailed model of a nun with heavily tattooed hands and a ball gag in her mouth or an Asian woman in a latex suit of a horse leave no doubt about it. At first, Rebeca Puebla has started out as a traditional illustrator. However, in later years she became a 3D character artist for films, TV, and video games. Though she has many regular-looking 3D models and illustrations, many of her works are quite controversial featuring 3D models of ladies in latex suits or wearing Nazi uniforms. (Photo by Rebeca Puebla)

Mariam, a 9-year-old girl, carries her brother as she stands with other children at an underground ancient cemetery in Jabal al-Zawiya in the southern countryside of Idlib November 26, 2014. Residents are using ancient caves and cemeteries as underground shelters to hide in during shelling from forces loyal to President Bashar al-Assad. Picture taken November 26, 2014. (Photo by Khalil Ashawi/Reuters)

In this Monday, January 18, 2016 photo, Iranian rock climber, Farnaz Esmaeilzadeh, scales a climbing gym in the city of Zanjan, some 330 kilometers (207 miles) west of the capital Tehran, Iran. Esmaeilzadeh, 27, who has been climbing since she was 13, has distinguished herself in international competitions despite the barriers she faces as a female athlete in conservative Iran. (Photo by Ebrahim Noroozi/AP Photo)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.