Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)

A woman uses a tree branch to fight a fire on the road leading to the village of Parada, near Mortagua, northern Portugal, Thursday, August 11 2016. Firefighters in Portugal are battling multiple blazes fed by brush in a hot, dry summer for a sixth straight day. Major fires have also been raging in northwestern Spain and southern France. (Photo by Sergio Azenha/AP Photo)

Komodo Judo by Andrey Gudkov. Finalist, Amphibians & Reptiles. Two large male Komodo dragons hissing angrily at each other in Indonesia’s Komodo national park. Komodo dragons can grow up to 8ft. (Photo by Andrey Gudkov/Wildlife Photographer of the Year 2015)

Undated handout photo issued by World Architecture Festival 2013 of The Halley VI centre designed by British architects Hugh Broughton in Antarctica which is a dismantlable research station created in the icy wastes for the British Antarctic Survey and has been shortlisted for a global architecture award. (Photo by World Architecture Festival 2013/PA Wire)

A hot air balloon floats past an almost full rising moon on a warm fall evening near Encinitas, California October 5, 2014. (Photo by Mike Blake/Reuters)

A photographer is using a unique method to show the shift from day to night across famous cities in spectacular images. Daniel Marker-Moors' take on time-lapse photography – which he calls time slice – sees the photographer snap image after image, before combining them to create beautiful, vibrant works. His images usually focus on a point in the day with the most dramatic change in light, such as sunrise or sunset. Marker-Moors, from Los Angeles, begins by shooting hundreds and sometimes thousands of images from the same spot. Here: Chicago – 35 photographs, 15 minutes. (Photo by Daniel Marker-Moors/Caters News)

At Studio 54, an unidentified trio of two woman and one man recline on a banquette, miming unconsciousness, New York, New York, September 29, 1977. (Photo by Allan Tannenbaum/Getty Images)