Maria Sakkara of Greece in action against Ann Li of the United States in her second round match at the Qatar TotalEnergies Open at the Khalifa International Tennis & Squash Complex on February 22, 2022 in Doha, Qatar (Photo by Robert Prange/Getty Images)

Senior Buddhist monk Lobsang Tayang sits outside the Amarbayasgalant Monastery in the Baruunburen district, Selenge province, Mongolia, April 26, 2018. (Photo by Thomas Peter/Reuters)

In an aerial view, a flooded section of farmland is seen next to a home in Cadiz, Kentucky, U.S. April 18, 2025. (Photo by Jon Cherry/Reuters)

A heavily tattooed Japanese woman poses for photographs near Asakusa Temple during the third and final day of Sanja Festival, on May 20, 2018 in Tokyo, Japan. Sanja Festival is one of Japan's major festivals and is held annually in the Asakusa area of Tokyo. (Photo by Carl Court/Getty Images)

A selection of hand-made leis, traditional Hawaiian necklaces made of flowers and worn mostly on special occasions, fill a cooler at Lin's Lei Shop in the Chinatown district of Honolulu, Hawaii December 22, 2015. Hawaii, whose economy depends heavily on tourism, sees a brief lull in visitors each year in January and February. But in addition to the usual tourist destinations, the state shows a unique overlay of mainland U.S. culture atop tropical beauty year-round. (Photo by Jonathan Ernst/Reuters)

Military school cadets take part in a ceremony commemorating the 56th anniversary of the death of Camilo Cienfuegos who, along with Fidel Castro and Che Guevara, was a chief commander of the Cuban revolution in Havana, Cuba on October 28, 2015. (Photo by Xinhua/REX Shutterstock)

Billy Robinson, from Galax, Va., rides Gentleman Jim during the Professional Bull Riders Buck Off, in New York's Madison Square Garden, Saturday, January 17, 2015. The top 35 bull riders compete during the PBR event, returning to New York for the ninth consecutive year. (Photo by Richard Drew/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)