Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

(fos) is the name of the first ephemeral installation by the multidisciplinary team (fos). It means light in Greek and melted in Catalan. In this project has been represented by a skin that covers both vertical and horizontal surfaces. The protected façade of the vegan restaurant Rayen at Lope de Vega street in Madrid has been illuminated for 4 days and nights by more than 250lm of yellow duct tape, painted décor items, pineapples and... a lamp. A visual game between perspective and colored volumes that gained the looks.

Korean artist Hyungkoo Lee has created a series (Homo Animatus) of works featuring skeletal representations of familiar cartoon characters. He uses resin, aluminum sticks, stainless steel wires, springs, and oil paint. If you look closely, you will see the bones of our favorite childhood friends like Canis Latrans Animatus (Wile E. Coyote), Geococcyx Animatus (Roadrunner), Lepus Animatus (Bugs Bunny), Felis Catus Animatus (Tom), Mus Animatus (Jerry), Anas Animatus (Donald Duck) and his three nephews, Animatus H, D and L ( Huey, Dewey and Louie)

The Art Car Parade is the highlight of a three-day celebration of the drive to create: Art Car Weekend. But it all began with a donated 1967 Ford staton wagon and $800 worth of paint and plastic fruit. And now, 26 years later, it attracts 250+ vehicles (and other entries) from 23 states, Canada, and Mexico. Photo: An art car is seen on Allen Parkway during the 26th Annual Houston Art Car Parade on May 11 in Houston, Texas. (Photo by Scott Halleran)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

A man covered in motor oil, poses for a picture next to a girl dress a traditional clothes during a festivities in honor of Santo Domingo de Guzman in Managua, Nicaragua, Saturday, August 1, 2015. Some of the faithful coat their bodies in a black motor oil, red paint and wear traditional clothes as a promise for a prayer or miracle they believe was performed or answered by Managua's patron saint, Santo Domingo de Guzman. (Photo by Esteban Felix/AP Photo)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

Volunteers transport an inflated sphere into a canoe to be lowered in MacArthur Park Lake during the installation of Portraits of Hope's exhibition “Spheres at MacArthur Park” in Los Angeles, California August 21, 2015. The installation will feature about 3,000 inflatable hand-painted spheres. (Photo by Mario Anzuoni/Reuters)