American singer Michael Jackson (1958–2009) arrives at Heathrow Airport with his manager Frank DiLeo, on his Bad World Tour, 11th July 1988. (Photo by Dave Hogan/Getty Images)
Photographer uses pinhole camera in his mouth to capture photos around the world. The 52-year-old Justin Quinnell, who lives in Bristol, is known for his eye-catching photographs taken from a unique angle – right inside his mouth. (Photo by Justin Quinnell/Rex Features)
Marcelo Maragni was born in Sao Paulo, Brazil. According to his mother’s idea, he was ment to be an architect in a quest of changing the world. Instead, he preferred to take possession of his father’s camera and learn another craft on his own.
Silhouette Masterpiece Theatre might not be the most modest of names for a set of illustrations but it is doubtlessly fitting. Wilhelm Staehle clearly has a brilliant sense of humour, not only are the postcard illustrations very funny, but even his bio will make you chuckle.
In this April, 2015, photo provided by DC Shoes, daredevil Robbie Maddison in his latest stunt rides his motorcycle across waves in Tahiti, French Polynesia, using ski-like devices on his wheels. (Photo by Tim McKenna/DC Shoes via AP Photo)
Evel Knievel is shown in his rocket before his failed attempt at a highly promoted 3/4-mile leap across Snake River Canyon in Twin Falls, Idaho, on September 8, 1974. The jump failed when the parachute on his rocket malfunctioned, opening prematurely. Knievel was uninjured. (Photo by AP Photo)
Zhao Deli waves as he pilots his self-made “flying scooter” in Dongguan, Guangdong Province, China, 12 August 2018 (issued 16 August 2018). Inspired by a cartoon he watched as a child, Zhao Deli sold off his apartment in pursuit of his dream of building a flying scooter. (Photo by Aleksandar Plavevski/EPA/EFE)
Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.