Thai office workers walk past armed soldiers standing guard outside the Shinawatra Tower Two in Bangkok, Thailand, 20 May 2014. Thai army Chief Prayuth Chan-ocha early on 20 May 2014, declared martial law giving the military full control to prevent further protest-related violence in the country. The statement was issued about 3 am on 20 May (2000 GMT), according to local media reports. Prayuth has the authority to declare martial law without the consent of the government, which has had caretaker status since 09 December 2013. Thailand has been wracked by six months of non-stop protests seeking to topple the government. At least 25 people have died in political-related violence and more than 700 injured. (Photo by Narong Sangnak/EPA)

141 boxers’ by Danish visual artist and photographer Nicolai Howalt is a series of diptychs portraying boxers before and after their fight. Ranging from young boys to women, the collection of images delineates not only the brutal aftermath of a match but the more subtle changes in the subject’s physiology due to adrenaline, struggle, and the complex emotions that come with victory and loss.

Erika Sanada is an artist based in San Francisco, USA. Her concept is “Odd Things”. She want her audience to feel emotions that include excitement, astonishment and impact when they look at her artwork there are two reasons why she create odd, creepy and grotesque things. One is the memory of her childhood and the second is constant anxieties.

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Mah Chan, a Long Neck Padaung hill tribe woman weaves a scraf for sale to tourists in a small village where 30 familes live July 13, 2006 in Chiang Dao, Thailand. All the Long Neck villages are set up for tourists and just over a year ago the hill tribe members were hand picked to move closer to Chiang Mai from more remote communities so that they could be more accessible. The Padaung women famously wear brass rings around their necks, beginning at five-years-old, to distort the growth of their collarbones and making them look like they have long necks. They are originally from eastern Burma near the Thailand border. (Photo by Paula Bronstein/Getty Images)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

“Sangoma” initiate Dipuo Banda (C) is led out of her teachers shack while she remains in a trance like state prior to dancing during her 3 day initiation ceremony with her teacher, family, friends and students in the Alexandra Township in Johannesburg, South Africa, 14 May 2021. Sangomas, the Zulu term for Medicine Women or traditional healers, fulfill different social and political roles in the community, including divination, physical healing, emotional and spiritual illnesses, directing birth or death rituals and finding lost cattle. (Photo by Kim Ludbrook/EPA/EFE)