«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)
A cosplayer dressed as the actress Lucy Liu, as depicted in the animated series Futurama, poses for a photo at Comic-Con International in San Diego, California, U.S., July 23, 2022. (Photo by Bing Guan/Reuters)
Dario Sammartino, of Italy, competes at the final table during the World Series of Poker at the Rio hotel-casino in Las Vegas Sunday, July 14, 2019. (Photo by Steve Marcus/Las Vegas Sun via AP Photo)
Nicole Scherzinger at the “The X Factor” TV show, Series 14, Episode 15, Judges' Houses in Sun City, South Africa on October 21, 2017. (Photo by Dymond/Thames/Syco/Rex Features/Shutterstock)
(L-R) Chris Diamantopoulos, AnnaLynne McCord, Matt Jones and Jane Seymour visit the Build Series at Build Studio on January 23, 2018 in New York City, United States. (Photo by Brad Barket/Getty Images)
Though it is often said that the human eye can be revealing about a person, Jakarta-based Indonesian artist Veri Apriyatno's series titled The Witnesses reveals a lot more about a person's surroundings through the reflection of their eyes. Each hyperrealistic mixed media creation in the series (made with charcoal, pencil, and acrylics on canvas) presents an entire world within the gaze of a glistening eye.