Blizzard in the High Peak, Derbyshire, by John Finney: “After a difficult journey in the snow, I made my way from Mam Tor down onto the Great Ridge. As the clouds got darker, I placed the tripod and camera at just the right angle to avoid snow getting onto the lens, and used a flash gun and a relatively slow shutter speed to highlight the fast motion of the blizzard”. Classic view, adult class – winner. (Photo by John Finney/Landscape Photographer of the Year)

“People and Space”. Winner: Wanderer in Patagonia by Yuri Zvezdny (Russia) A lone stargazer stares up at the stars of our galaxy, the Milky Way, as they stretch across the night sky over the glacier “White Stones” (Piedras Blancas) in the Los Glaciares National Park, Argentina. El Chaltén, Santa Cruz Province, Argentina, 27 September 2016 iOptron Sky-Tracker mount, Sony A7S camera, 18 mm f/2.8 lens, ISO 5000, 30-second exposure Wanderer in Patagonia. (Photo by Yuri Zvezdny/Insight Astronomy Photographer of the Year 2017)

This photo taken on December 2, 2015 shows a lenticular cloud forming as white streaks from airplanes mark the blue sky, in a rare atmospheric phenomena above the town of Gevgelija on December 2, 2015. Lenticular clouds have been regularly confused for UFOs throughout history due to the their smooth, round or oval lens-shaped structure. (Photo by Armend Nimani/AFP Photo)

Karolina Kurkova, Alana Zimmer, Valerija Kelava, Eniko Mihalik, Snejana Onopka and Iris Strubegger star in “Hairy Tales” a focus on mostly big hair styled by Luigi Murenu (hair style; Make-up: Karim Rahman) for «Vogue» Germany April 2012. Joanne Blades styles the editorial with Daniele and Iango behind the lens.

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

The amazing art of dancing is captured by the lens of Bertil Nilsson, who draws inspiration from movement and human body, creating a final spectacular result. The London-based photographer and filmmaker has worked closely with dancers and circus artists for five years throughout Europe and North bringing out an inspiring project, all gathered in his book Undisclosed: Images of the Contemporary Circus Artist.

Members of the U.S. Army 173rd Airborne Brigade stand at attention as a Ukrainian folk dance group performs at the opening ceremony of the “Rapid Trident” NATO military exercises on September 15, 2014 near Yavorov, Ukraine. The two-week exercises include participating units from a variety of NATO and NATO-associate countries as well as Ukrainian troops. Meanwhile fighting between pro-Russian separatists and Ukrainian armed foces has flared again in eastern Ukraine in a battle for the control of Donetsk airport despite the tenuous ceasefire. (Photo by Sean Gallup/Getty Images)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.