A woman walks while carrying pineapples on her head on a street in Kampala, Uganda on January 12, 2021. (Photo by Baz Ratner/Reuters)

A member of a feminist group performs during a rally to celebrate International Women's Day in Santiago, Chile, March 8, 2021. (Photo by Ivan Alvarado/Reuters)

People run for cover following a series of explosions in the Embakasi area of Nairobi on February 2, 2024. At least 30 people have been transferred to different hospitals, according to the Kenya Red Cross, after explosions rocked an industrial and residential area of the Kenyan capital. (Photo by Luis Tato/AFP Photo)

In a picture taken with an underwater camera, a couple stands in front of a Polynesian priest during their underwater wedding ceremony on October 25, 2014 in Bora-Bora, in French Polynesia. The ceremony lasts twenty minutes and costs around 2700 euros. (Photo by Ben Thouard/AFP Photo)

A dachshunds is dressed in an outfit as it is shown off during the eighth annual Dachshunds Parade in Saint Petersburg, Russia on May 25, 2019. (Photo by Olga Maltseva/AFP Photo)

Birds congregate by the ocean at sunrise, after California’s governor said he would impose some of the nation’s strictest stay-at-home orders in the coming days, as the global outbreak of the coronavirus disease (COVID-19) continues, in Santa Monica, California, U.S., December 4, 2020. (Photo by Lucy Nicholson/Reuters)

«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)