A new book published by the UK Natural History Museum showcases some of the most memorable underwater photographs taken over the last few decades in its annual wildlife photographer of the year competition. Here: Giant gathering by Tony Wu. “The first indication that something extraordinary was going on were the blows, huge numbers of them – the exhalations of huge numbers of whales. Entering the water, the photographer witnessed an extraordinary scene”. (Photo by Tony Wu/Unforgettable Underwater Photography/NHM)

17 people were photographed by Reuters apparently casting ballots at more than one polling station Sunday during Russia’s presidential election in the town of Ust-Djeguta, southern Russia. Many appeared to be state employees, and some showed up in groups and in mini buses bearing the names of state-provided services. Voting twice is a misdemeanour under Russian law and those caught are heavily fined. But when shown these pictures, election commission member Leila Koichuyeva said: “They could be twins”. Here are a few. (Photo by Reuters/Staff)

A brave photographer managed to get within metres of an active volcano despite it spewing out lava waves over 140 metres high. Silhouetted against a fiery fountain of red, Icelandic photographer, Tómas Freyr Kristjánsson, 37, braved blistering temperatures to get as close the volcano as possible. Although very few were brave enough to get so close, Tómas managed to photograph nearby tourists to give some scale to the spraying molten rock, including that of a nearby motorcyclist. (Photo by Tómas Freyr Kristjánsson/Caters News)

(L-R) A man nicknamed "Barcelona", Alexey Bolotov and Alexey Jakushin drink vodka as they travel by a pioneer motorised railcar on their way to Kalach, Sverdlovsk region, Russia October 18, 2015. The "pioneer," a light auxiliary rail vehicle, is a popular form of transport among people who live along the Alapayevsk railway. In a remote corner of the Urals region at the end of a narrow-gauge railway is Kalach, population about a dozen. Three decades ago 600 people called the village home, but the local forestry industry suffered as the former Soviet Union imploded and people moved away in search of work. In Kalach today there are no telephones, no mobile reception and only a few hours of electricity a day. (Photo by Maxim Zmeyev/Reuters)

Ornamental chicken breeding clubs have emerged in Indonesia, Thailand, North America and even European countries such as the UK and France. Malaysia is however the epicenter of this cultural phenomenon. These chickens are prized for their build, size, behavior and showmanship by their owners and competitions or beauty contests as they are often described are held almost every week in at least one village in Malaysia. Judges sit around a square table inspecting each chicken for a few minutes trying to determine a champion specimen in its own weight class based on its stance, temperament and physical assets like wings, tails and comb. The walk or strut by an ornamental chicken in a beauty contest, much like a runway model, constitutes a large part of the scoring system. (Photo by Ernest Goh/2013 Sony World Photography Awards)

There are many ways to interpret the creations of Yoshitoshi Kanemaki, whose works usually involve sculptures of people where two or more characters have merged into a single being. Possibly, Yoshitoshi Kanemaki is trying to express through his sculptures that everyone’s soul is multifaceted. Good emotions are mixed with the bad, love is mixed with hate, contempt with admiration. How often do you hear that a person loves someone deeply, while doing completely horrendous things, unable to see that he or she is destroying their object of love? Nevertheless, we should be thankful to the nature for all the different emotions that we are able to feel. Unlike animals, who only show simple forms of emotions, such as anger, happiness, and a few others, human soul is much deeper, allowing us to feel a full plethora of emotions. (Photo by Yoshitoshi Kanemaki)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

A combination picture shows Will Adam, 14, snowboarding down a street on Beacon Hill during a large winter blizzard in Boston, Massachusetts, United States January 27, 2015 (top), and a woman looking at her phone as she walks down the same street June 13, 2015. Outdoor scenes in Boston show local residents enjoying balmy weather amid lush greenery as the summer solstice approaches on 21 June. The very same locations suffered heavy snowstorms last winter, with snow ploughs, skiers and snowboarders battling the drifts. Boston got 275.8 cm of snow over the winter, the most since 1872, when records began. A few months after the snowstorms, Brian Snyder revisited the same places and shot pictures at exactly the same locations. (Photo by Brian Snyder/Reuters)