“The Reward”. “A spot that a friend and I found that takes a bit of effort to get to. Needs the right swell and wind direction to come together for the backwash to really happen. We had been many times with OK results, but this morning everything lined up perfectly and I was rewarded with this split-second moment in time under some amazing morning light”. (Photo by Scott Harrison/2019 UK Surf Photo of the Year)

Blizzard in the High Peak, Derbyshire, by John Finney: “After a difficult journey in the snow, I made my way from Mam Tor down onto the Great Ridge. As the clouds got darker, I placed the tripod and camera at just the right angle to avoid snow getting onto the lens, and used a flash gun and a relatively slow shutter speed to highlight the fast motion of the blizzard”. Classic view, adult class – winner. (Photo by John Finney/Landscape Photographer of the Year)

Khadjou Sambe, 25, surfs off the coast of Ngor, Dakar, Senegal, August 18, 2020. Growing up in the coastal capital of Dakar, Sambe never saw a Black woman surfing the Atlantic swells. As Senegal's first female professional surfer, Sambe is now inspiring the next generation to defy cultural norms and take to the waves as a surfing coach for local girls. “When I am in the water I feel something extraordinary, something special in my heart”, Sambe said. (Photo by Zohra Bensemra/Reuters)

Touching and dramatic portraits and landscape shots have won prizes at Australia's prestigious photography prize. Photo: Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)

“I'm Josh Fancher, a 21 year old with an avid interest in photography, including macro, nature and wildlife, night photography, landscapes, cityscapes and architectural photography. Inspired by the beautiful and amazing water drop photography of Martin Waugh, I started doing water drop collisions in December of 2007. I use a 105mm Micro Nikkor lens for water drops, along with a pair of Nikon SB 600 flashes. I recently got a StopShot system (Nov 2009), which makes timing a lot easier. Before then, timing was manual, with an eye dropper, eye-hand coordination, and a lot of patience” – Josh Fancher. (Photo by Josh Fancher)

Animal rights activists, including musician Kris Reichert, center, hold up signs with writing in Italian reading; “Leather: a lethal look” and “I wouldn't wear animal skin even if I were dead” as they stage a demonstration in front of Milan's Duomo gothic cathedral, Italy, Wednesday, September 20, 2017. Milan Fashion Week previews kick off Wednesday with Gucci, leading up to the awards on Sunday night. (Photo by Luca Bruno/AP Photo)

Shortlisted. Dragonfly, North York Moors national park, by Jonathan Green: “In June I was at May Beck with some colleagues when someone spotted this Hawker perched in a gorse bush. I love the detail on the wings, and it’s rare to be able to get so much of such a small subject in clear focus. Getting a few scratches was worth it”. (Photo by Jonathan Green/2020 UK National Parks Photography Competition)