Women participate during the Mr. Olympia Amateur South America bodybuilding competition in Medellin, Colombia, February 19, 2017. (Photo by Fredy Builes/Reuters)

Camel herders scoop up water in plastic buckets from one of the few watering holes in the area, to water their animals near the drought-affected village of Bandarero, near Moyale town on the Ethiopian border, in northern Kenya, Friday, March 3, 2017. The U.N. humanitarian chief, Stephen O'Brien, toured Bandarero village on Friday and called on the international community to act to “avert the very worst of the effects of drought and to avert a famine to make sure we don't go from what is deep suffering to a catastrophe”. (Photo by Ben Curtis/AP Photo)

A robot is seen on Mount Etna, Italy on July 4, 2017. Mount Etna, in Sicily, is a test bed for the approximately three-foot high, four-wheeled machine ahead of a future mission to the moon. It is being conducted by the German Aerospace Centre, the agency which runs Germany's space programme. (Photo by Antonio Parrinello/Reuters)

Machu Picchu, Peru. A llama’s-eye view of the legendary Inca settlement at Machu Picchu, isolated high in the Peruvian Andes. (Photo by Jim Turner/National Geographic)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

Fireworks light the sky over Copacabana beach during New Year's Eve celebrations in Rio de Janeiro, Brazil, Thursday, January 1, 2016. (Photo by Mauro Pimentel/AP Photo)

A bodypainter uses UV paint to create electrifying masterpieces of stunning landscapes on models. John Poppletons vibrant Bodyscapes feature bright savannahs, lightning storms and vivid galaxies leaping from the bodies of his subjects. The artist, who lives in Wellsville in Utah, USA, uses a black light on his paintings to make them look as close to real life as possible. He predominantly uses female models and often paints across their backs to give him the largest surface area to work with. Here: “Bamboo Mist”. (Photo by John Poppleton/Caters News)

An enormous crocodile mauls a young hippo calf carcass near Lower Sabie on May 11, 2014, in Kruger National Park, South Africa. An enormous crocodile tosses around a young hippo calf caught in its lethal jaws. The giant reared out of the water revealing a young hippo calf between its teeth. The huge beast then span, jumped and splashed in the water with the small carcass. Amateur photographer Roland Ross captured these incredible photographs near Lower Sabie in Kruger Park, South Africa. (Photo by Roland Ross/Barcroft Media)