Old Heidelberg, Dog with Pipe, 1905. (Photo by Detroit Publishing Company)

A pair of heels are left on a chair as a place holder at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016. (Photo by Lucy Nicholson/Reuters)

A masked reveller poses near Saint Mark's Square during the Venetian Carnival in Venice January 31, 2015. (Photo by Stefano Rellandini/Reuters)

Voters line up to cast their ballots at a polling station in the city of Qom, Iran. Elections for Iran's parliament (Majlis) and Assembly of Experts kicked off on Friday, February 26, 2016. (Photo by Ahmad Halabisaz/Xinhua via ZUMA Wire)

“7584 Fish”. On a windy day right after a Cyclone passed the far northern Great Barrier Reef i took some friends out to the reef. Never before i saw that many glass fish on this particular coral “bommie”. Just when i setup my camera, this Napoleon Wrasse swam right through the school of fish building a living frame. Photo location: Cairns, Great Barrier Reef, Flynn Reef, Australia. (Photo and caption by Christian Miller/National Geographic Photo Contest)

Women demonstrate on International Women's Day as they strike to demand the end to domestic violence and the country's prevailing “macho” culture, in Milan, Italy on March 8, 2023. (Photo by Claudia Greco/Reuters)

A workman smooths out the gravel near the base of British artist Alex Chinneck' latest sculpture “A bullet from a shooting star” on the Greenwich Peninsula in London on September 17, 2015. The 35-metre tall, upside-down electricity pylon overlooks the Canary Wharf financial district. (Photo by Leon Neal/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)