A green frog sits on a moth orchid at a local agricultural research center in Hwaseong, about 40 kilometers south of Seoul, South Korea, 03 March 2022, two days ahead of “gyeongchip”. On the lunar calendar, gyeongchip is the day when frogs awake from hibernation. (Photo by Yonhap/EPA/EFE)

Firefighters take part in the bodybuilding event during a firefighting skills contest at the National Fire Service Academy in Gongju, South Korea on June 13, 2023. (Phoot by Yonhap/EPA)

A view of the cemetery where the graves of the soldiers who lost their lives in the Russia-Ukraine war are located as daily life continues in shadow of war in Kursk, Russia on August 18, 2024. (Photo by Vladimir Aleksandrov/Anadolu via Getty Images)

Vehicles drive amid rainfall in Hyderabad, Pakistan, 27 June 2025. Heavy monsoon rains have impacted major cities across Pakistan, including Islamabad, Lahore, Hyderabad and Karachi, triggering urban flooding and power outages. Authorities remain on high alert. (Photo by Nadeem Khawar/EPA)

An anti-government protester wearing a Guy Fawkes mask stands with a shield near flames from molotov cocktails thrown at a water cannon by anti-government protesters during riots in Caracas in this April 20, 2014 file photo. (Photo by Jorge Silva/Reuters)

Actress/Model Emily Ratajkowski's celebrates her 25th birthday at the private residence of Absolut Elyx CEO Jonas Tahlin on June 10, 2016 in Los Angeles, California. (Photo by Rachel Murray/Getty Images for Absolut Elyx)

Gerald Herbert is a staff photographer for the AP based in New Orleans, Louisiana. Before that he was a staff photographer for the Washington Times, the New York Daily News and a freelancer for the AP in New Orleans, Boston and New York. Photo: A worker grooms away tracks after an alligator crossed through a sand trap on the 14th hole during the first round of the PGA Tour Zurich Classic golf tournament at TPC Louisiana in Avondale, La., Thursday, April 25, 2013. (Photo by Gerald Herbert/AP Photo)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.