Savita, a street performer, helps her dog to balance on empty tin containers as they perform at a roadside in Ahmedabad September 7, 2014. (Photo by Amit Dave/Reuters)

An aerial view shows people touring between the large-scale ice sculptures at the 18th Harbin Ice and Snow World during its trial run opening to public in Harbin city, Heilongjiang province, China, 21 December 2016. Some 180,000 cubic meters of ice and 150,000 cubic meters of snow were used to build the 800,000-square-meter ice wonderland. The 33rd Harbin International Ice and Snow Festival will kick off on 05 January 2017 that will last about three months. (Photo by Tian Weitao/EPA)

In this January 27, 2020 photo, Jessica Hahn-Chaplin applies make up before a rehearsal of the Paraiso de Tuiuti samba school in Rio de Janeiro, Brazil. Hahn-Chaplin dances samba annually in Bath, England. (Photo by Silvia Izquierdo/AP Photo)

A boy kicks a football in Dudley Page Reserve as storm clouds gather over the city skyline on September 30, 2021 in Sydney, Australia. The Bureau of Meteorology has issued severe storm warnings for the city. (Photo by Mark Evans/Getty Images)

Participants at the Dubai Run at Sheikh Zayed Road in Dubai, United Arab Emirates on November 26, 2021. (Photo by Ruel Pableo for The National)

Gerald Herbert is a staff photographer for the AP based in New Orleans, Louisiana. Before that he was a staff photographer for the Washington Times, the New York Daily News and a freelancer for the AP in New Orleans, Boston and New York. Photo: A worker grooms away tracks after an alligator crossed through a sand trap on the 14th hole during the first round of the PGA Tour Zurich Classic golf tournament at TPC Louisiana in Avondale, La., Thursday, April 25, 2013. (Photo by Gerald Herbert/AP Photo)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.