Working in graphite, gold leaf and mixed media assemblage, Yoann Lossel creates fantastic myth based worlds and scenarios. They have a beautiful graceful ambiance, full of spiritual timelessness and ancient rituals. He is a French painter and designer currently living in the Forest of Broceliande in Brittany, a landscape steeped in Celtic and Arthurian myth. Reflecting this environment – Yoann’s works take the viewer through mythic and imaginary lands, imbued with ancient tales and iconic mysteries.

Thailand`s Rangsit University is a private institution of higher education with the primary aim of creating graduates in different areas of study, focusing mainly on science, technology, design and management. But what makes this university renowned around the world is its colorful campus, with trees and bushes painted to beautify the campus. Though in 2011 the plants were significantly damaged in one of Thailand’s worst floods in five decades, they continue to enliven the atmosphere at the university.

Chocolate-lovers have gathered for the first Salon du Chocolat fashion show and festival in Brussels. The festival takes place in 19 cities worldwide, but this year marks the first Salon du Chocolat in Brussels. The main feature of the festival was a fashion show, where chefs and designers collaborated to create chocolate outfits. (Photo by Farrukh Younus/Implausibleblog)

Thomas Barbèy grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer.

The Spirit of Ecstasy, also called “Emily”, “Silver Lady” or “Flying Lady,” was designed by English sculptor Charles Robinson Sykes and carries with her a story about a secret passion between John Walter Edward Douglas-Scott-Montagu (second Lord Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine) and his love and the model for the emblem, his secretary Eleanor Velasco Thornton. Photo: Worker Ronald Little displays a finished “Spirit of Ecstasy”. (Photo by Stefan Wermuth/Reuters)

Liu Yi, Chinese painter, was born in Shanghai in 1958. He was a Fine Arts graduate from the Hua Dong University for Education. He did his postgraduate study of watercolor painting at the China College of Fine Arts. He lectures at university for painting and design. He is a member of the Chinese Artists Association and is also a member of the Watercolor Painting Artists Association. He is the retired Deputy President of the Shanghai Watercolor Painting Society, and is currently the Deputy Principal of the Shanghai Arts and Technical College. He is a very accomplished watercolor painter in China.

The Wovel could possibly be the most advanced human snow removal machine ever created, next to simply getting someone else to do it. The revolutionary wheel design reduces the risks associated with heart attacks and back injuries because it uses adjustable leverage and your own body weight to push, lift, and throw snow up to 18" deep. The best feature about the Wovel is compared to a gas-powered snow blower, this one will always start.

Captured by South African photographer Dillon Marsh, these fantastic photographs depict the many designs employed by sociable weavers to build sturdy nests that are safe from intruders such as cobras and tree snakes. They are also nice cool during the day, and stay warm during cold desert nights. A University of Stellenbosch graduate, Marsh is currently interested in landscape photographer who seeks out anomalies that can be arranged in a photographic series. Assimilation depicts scores of intricate weaver’s nests atop utility poles in Southern Africa. Colonies of sociable weavers have been known to stay attached to one particular nest for up to 100 years, according to The San Diego Zoo.