Joanne Froggatt poses with her award for Best Supporting Actress in a Series, Mini-Series or TV Movie for her role in “Downton Abbey” backstage at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Photo by Mike Blake/Reuters)

Organizers of an exhibition of ancient instruments of torture in Huai'an, Jiangsu province, have suggested that children, heart disease patients and people with high blood pressure stay away because of the vivid depictions of shocking cruelty. The exhibition has more than 200 instruments of torture on display in the 50,000-square-meter exhibition halls of a restored ancient building. Wax figures, along with sound and light techniques, are incorporated for scary effect. The local government said the exhibition is for tourists and historians to research ancient torture practices. (Photo by ChinaFotoPress)

#Petheadz – is an Instagram series by Zach Rose, a 23 year old photographer/filmmaker from Toronto. (Photo by Zach Rose)

Ice Road Truckers is a reality television series that premiered on History on June 17, 2007. It features the activities of drivers who operate trucks on seasonal routes crossing frozen lakes and rivers in remote Arctic territories in Canada and Alaska. Later series were focused on Alaska's improved but still remote Dalton Highway which is mainly snow covered solid ground.

Austrian photographer Klaus Pichler has come up with an interesting and creative take on portrait photography – his photo series “Just The Two Of Us” features portraits of people dressed as their cosplay alter-egos. What’s fun about this series is that it seems to combine the costumed characters and the people wearing them, as the sometimes-fearsome characters are photographed in the relatively tame safety of their own homes.

Charlotte Bridgeman poses for a series of triptych portraits during New York Fashion Week February 6, 2014. Bridgeman, from Australia, is attending her second fashion week. (Photo by Carlo Allegri/Reuters)

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.