A helicopter of the Food and Agriculture Organization of the United Nations (FAO) flies through millions of Locusts as spreads pesticide to fight against a swarm of locusts threatening to reach Amparihibe village on May 7, 2014 in Tsiroanomandidy, Madagascar. FAO mission is to fight the locust's swarm with an insecticide. (Photo by AFP Photo/RIJASOLO)

A Ugandan soldier, part of the 9,000-strong African Union Mission in Somalia, (AMISOM) walks through the Banadir soccer stadium on August 15, 2011 in Mogadishu, Somalia. The stadium, Somalia's largest soccer facility, had been under control by Islamic extremist Shabab militants for the past two years until they withdrew from the capital more than a week ago. (Photo by John Moore/Getty Images)

Church members pray at the Dolieb Hill Presbyterian Church in the Protection of Civilians (POC) site at the United Nations Mission in South Sudan (UNMISS) compound in Malakal, South Sudan on Saturday, July 9, 2016. (Photo by Jane Hahn/The Washington Post)

In this photo taken on Friday, March 15, 2013, members of a pro-Kremlin youth group attack pushers of spice, a synthetic drug, in Moscow, Russia. Russian officials and anti-drugs campaigners say that spice has become one of the most dangerous drugs widely available to youngsters and almost impossible to ban because of the constantly changing chemical ingredients. (Photo by Alexander Zemlianichenko Jr/AP Photo)

Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

There is something strangely appealing about the set of pictures created by Sandro Giordano in a series “In Extremis (Bodies With No Regret)”. Could it be the absurdity of the situation? Or the fact that our brain tries to make up some bizarre story to justify what is happening in the pictures? Of course it is impossible to explain why a pair of tennis players ended up lying flat on the ground with a pack of bananas hanging on the net, even if we forget about the tennis racket lodged in the neck of one of the players. Nevertheless, it is fun to recreate these scenes in your mind just seconds before the tragedy took place. (Photo by Sandro Giordano)

The illustrations created by Joao Carvalho are not just simple 3D drawings. By making it look as if various characters were drawn on regular note book paper, Joao fools our minds into thinking that the flat objects we see on the picture are actually 3-dimentional. To create these pieces of art, Joao first draws the lines of the “notebook” paper already bent, as if they stretch over the object that is about to be drawn. Then he applies shading and his masterpiece is all done! By looking at his pictures it is almost impossible to view them not as simple 2D drawings, but as real 3D objects. (Photo by Joao Desenhos)