Faruk, 17, a Rohingya refugee trader holds betel leaves which are on sale at a stall in Palong Khali refugee camp near Cox's Bazar, Bangladesh, November 3, 2017. He left his village in Myanmar when the military opened fire towards the Rohingya. “I buy this betel leaf from Palong Khali market, in one bundle there are 160 pieces, I buy it for 80 taka and I sell it for 100 taka (1 Bangladeshi Taka = 0.012 US Dollar). Bangladeshi's and I sell for the same rate in the camp. Outside in the local market it is 80 taka per bundle. My problem is that I don't have money so I can't buy anything to eat, I can't buy fish to eat”, he said. (Photo by Hannah McKay/Reuters)

These images offer a rare glimpse of life within remote Brazilian tribes. Award winning photographer Ricardo, 47, said: “The pictures show the traditional way of life of these people who live in harmony with nature. The photos provide an overview of the contemporary situation of the indigenous people in Brazil”. Here: Bej indian in the Xingu river, state of Mato Grosso, Brazil on December 20, 2015 .(Photo by Ricardo Stuckert/Caters News Agency)

Aerial Emery trains on the cyr wheel at the Aloft Loft circus training and teaching school which was converted from a church, in Chicago, Illinois, U.S., September 20, 2016. (Photo by Jim Young/Reuters)

Ice swimmer Klaudia prepares to swim in a filled up water kettle in an ice cave inside the Nature Ice Palace, with a hight of 3,250 meters (10,663 feet) above sea level, at Hintertux Glacier near Hintertux, some 480 kilometers (298 miles) western of Vienna, Austria, 28 July 2018. (Photo by Christian Bruna/EPA/EFE)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

An Iraqi girl, who fled from Falluja because of Islamic State violence, poses for a photographer at a refugee camp in Ameriyat Falluja, south of Falluja, Iraq, June 16, 2016. (Photo by Ahmed Saad/Reuters)

A group of scantily-clad women pose for photographs at the annual Venus erotic trade fair in Berlin, Germany on 12 October 2017. Venus Berlin is among the largest international erotic trade fairs, with more then 250 exhibitions from 40 countries and 30,000 visitors. (Photo by Alamy Live News)