Polish artist Agnieszka Pilat poses with the artwork of her robot painting dogs – Basia Spot and Bunny Spot – who have become artists painting on canvases with their paws, at the launch of the National Gallery of Victoria (NGV) Triennial 2023 in Melbourne on April 5, 2023. Pilat works with the Boston Dynamics dogs, training them to paint autonomously through AI technology individually and collaboratively, and will be part of more than 100 local and international artists, designers and collectives presenting at the exhibition opening in December. (Photo by William West/AFP Photo)

Children pour cold water on themselves under the control of fitness coach Margarita Filimonova (R) at local kindergarten number 317, with the air temperature at about minus 23 degrees Celsius (minus 9.4 degrees Fahrenheit), in Russia's Siberian city of Krasnoyarsk, February 5, 2013. (Photo by Ilya Naymushin/Reuters)

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A fireball erupts from a 16-inch gun on the battleship USS Wisconsin during a live fire exercise in the Persian Gulf, October 13, 1990. The ship is in the Gulf as part of Operation Desert Shield. (Photo by John Gaps III/AP Photo)

The silhouette of a woman is reflected in a puddle as she crosses a square in front of the Peter and Paul Cathedral in Saint Petersburg on March, 17, 2019. (Photo by Olga Maltseva/AFP Photo)

A woman walks in the stairs of the Hotel Martinez in Cannes as the French Riviera prepares for the 2021 edition of the Cannes Film Festival which will take place next July, in France, June 3, 2021. (Photo by Eric Gaillard/Reuters)

A pedestrian walks with an umbrella along a street during rainfall in Bengaluru on June 2, 2024. (Photo by Idrees Mohammed/AFP Photo)

Professor Xie Yong works on an art installation of a beaver, which is made out of plastic and around 300,000 needles, in Shenyang, Liaoning province, July 23, 2013. The needles, according to Xie, represent the pain felt by animals when their fur is taken off to produce clothing. (Photo by Reuters/Stringer)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.