Ukranian Internet Goddess Valeria Lukyanova, also known as “real life Barbie”, landed a huge career milestone. V Magazine featured the barbie look-alike in their latest issue, November 15, 2012. (Photo by Sebastian Faena via V Magazine)

A Japanese girl poses in a costume at a Chara Fes (character festival) event on October 26, 2003 in Tokyo. Cosplay (costume play) is becoming popular among Japanese youths, whereby participants dress up as their favourite characters from comics, computer games and animation. (Photo by Junko Kimura/Getty Images)

Maj. Matt O'Donnell of Glenelg, MD shields himself from rotor wash as Ospreys carrying the delegation of U.S. Secretary of Defense Leon Panetta leaves on March 14, 2012 at Forward Operating Base Shukvani, Afghanistan. Panetta is also scheduled to meet with President Karzai during his two-day visit to Afghanistan. The trip comes as the Taliban has vowed revenge following this past weekend's killing spree by a U.S. soldier who is accused of killing 16 civilians in Afghanistan. Most of those killed were children and women. (Photo by Scott Olson/Getty Images)

David Reutimann, driver of the #00 Aaron's Dream Machine Toyota, Brian Vickers, driver of the #83 Red Bull Toyota, and Denny Hamlin, driver of the #11 FedEx Express Toyota, collide after an incident in the NASCAR Sprint Cup Series Jeff Byrd 500 Presented By Food City at Bristol Motor Speedway on March 20, 2011 in Bristol, Tennessee.

Dr. Adolfo Roitman presents a part of the Isaiah Scroll, one of the Dead Sea Scrolls, inside the vault of the Shrine of the Book building at the Israel Museum on September, 26, 2011. in Jerusalem, Israel. For the first time some of the Dead Sea Scrolls are available online thanks to a partnership between Google and Israel's national museum. (Photo by Lior Mizrahi/Getty Images)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.