A workman smooths out the gravel near the base of British artist Alex Chinneck' latest sculpture “A bullet from a shooting star” on the Greenwich Peninsula in London on September 17, 2015. The 35-metre tall, upside-down electricity pylon overlooks the Canary Wharf financial district. (Photo by Leon Neal/AFP Photo)

German President Frank-Walter Steinmeier struggles with his glasses and face mask as he attends a press conference after visiting the Salzburg Festival in Salzburg, Austria, Saturday, August 22, 2020. (Photo by Kerstin Joensson/AP Photo)

A reflection on waste liquid shows a tourist walking near the Blue mosque at the Sultanahmet Square on the first day of the Muslim fasting month of Ramadan in Istanbul on April 13, 2021. (Photo by Ozan Kose/AFP Photo)

Camels graze in front of a spacecraft tracking station ahead of the Soyuz MS-10 upcoming launch at the Baikonur Cosmodrome, Kazakhstan, October 9, 2018. (Photo by Shamil Zhumatov/Reuters)

A boy kicks a football in Dudley Page Reserve as storm clouds gather over the city skyline on September 30, 2021 in Sydney, Australia. The Bureau of Meteorology has issued severe storm warnings for the city. (Photo by Mark Evans/Getty Images)

Some wave over the rainbow – a splash of colour is captured in spray over the sea wall at Totland Bay on the Isle of Wight off the south coast of England on February 16, 2022. (Photo by Jamie Russell/Bournemouth News)

A Ukrainian dancer of the Kyiv City Ballet company stretches prior to a performance at the Theatre de Chatelet, in Paris, Tuesday, March 8, 2022. The Kyiv City Ballet danced to a full house in Paris for the last show of a French tour that has left the company stranded after the war broke out in Ukraine. They described being physically and emotionally exhausted. Being given the opportunity to train and dance was for many a chance to focus on something other than the war. (Photo by Thibault Camus/AP Photo)

Participants at the Dubai Run at Sheikh Zayed Road in Dubai, United Arab Emirates on November 26, 2021. (Photo by Ruel Pableo for The National)