An climber ascends a silo covered in ice in Cedar Falls, Iowa, United States, January 17, 2016. The owners have connected hoses to the top of the silo and spray it with water in winter months to freeze the exterior for climbing. (Photo by Jim Young/Reuters)

Graham Fink has been documenting the demolition sites of Shanghai for five years, trying to capture the state of flux during this period of rapid urbanisation. His Ballads of Shanghai exhibition is at London’s Riflemaker gallery until Sunday. Here: “Big Dreams”. (Photo by Graham Fink/Riflemaker)

Sport category, winner: Yuan Peng. Liu Bingqing and Liu Yujie are twin sisters who have studied and trained in gymnastics since their early childhood in Jining, China. (Photo by Yuan Peng/Sony World Photography Awards)

A graphic designer has produced a haunting look at what the world’s most famous landmarks would look like if they were hit by a severe drought. Joel Krebs has intricately dried up hot spots such as the Tower Bridge in London, the Capitol in Washington, D.C., Niagara Falls and Machu Picchu. Here: Niagara Falls, Canada, after severe drought. (Photo by Joel Krebs/Caters News)

A 17ft anaconda which ate a pet dog seen blindfolded with a t-shirt is examined by Mano Bascoules in Montsinery, French Guiana. (Photo by Sebastien Bascoules/Barcroft Media/ABACAPress)

A shot of Pu'uo crater, the main source of lava from Kilauea, taken from a helicopter in Kilaura, Hawaii. (Photo by Kirk Aeder/Barcroft Media)

Hedi Xandt imagines impressive sculptures. Mixing styles and materials with talent, the artist invites us to discover his dark and intense universe.

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)