Revellers take part in the Els Enfarinats festival, in the town of Ibi near Alicante, Spain, Tuesday December 28, 2021. For about 200-years the inhabitants of Ibi annually celebrate with a battle using flour, eggs and firecrackers, outside the city town hall. (Photo by Alberto Saiz/AP Photo)

A hooded protester throws a petrol bomb to riot policemen during clashes, following a rally marking the 43rd anniversary of a 1973 student uprising against the military dictatorship that was ruling Greece, in Athens, Greece, November 17, 2016. (Photo by Yannis Behrakis/Reuters)

In this handout photo provided by Warner Brothers Pictures and Village Roadshow Pictures, Tom Cruise plays Lieutenant Colonel Bill Cage, a soldier who replays his last day while trying to fight aliens, in director Doug Liman's “All You Need Is Kill”. The film is set to premiere on March 14, 2014. (Photo by David James/Warner Brothers Pictures)

This photo provided by Netflix/naturepl.com and WWF-International shows an African Elephant (Loxodonta africana) in front of double rainbow, in Masai Mara, Kenya, included in the Netflix natural history series, “Our Planet”, in collaboration with Silverback Films and WWF. The eight-part series debuts in 2019. (Photo by Andy Rouse/Naturepl/WWF-International/Netflix via AP Photo)

Paisley, a standard poodle, is pictured at Intergroom in N.J., March 2014. Intergroom is one of the largest cats and dogs grooming conferences in America. (Photo by Paul Nathan/Rex Features)

Founded in 1989, the Icehotel in Swedish Lapland is built from the snow up each year, using ice from the local river. The rooms are designed by international artists and this year feature spacemen and an ice queen. The hotel has 35 suites, featuring ice carvings designed by 36 different artists from 17 countries. (Photo by Asaf Kliger/IceHotel/The Guardian)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)