Myanmar's military parade to mark the 72nd Armed Forces Day in the capital Naypyitaw, Myanmar March 27, 2017. (Photo by Soe Zeya Tun/Reuters)

Emma the Maltese's fur blows in the wind as she rides in her owner's purse on 5th Avenue at Central Park in New York December 2, 2014. (Photo by Carlo Allegri/Reuters)

Gianluca Pardelli is something of an expert on markets. For the past two years, he’s travelled across eastern Europe, from Azerbaijan to Uzbekistan, Moldova to Georgia, photographing them. Here: Telavi, Georgia. (Photo by Gianluca Pardelli)

Children are engulfed by foam during the Bubble Show event in Beijing, China, Sunday, June 26, 2016. Thousands of residents enjoy colored foam churned out by machines along a running track at the event designed for children and parents' interaction. (Photo by Ng Han Guan/AP Photo)

Indian Naga Sadhus, or naked holy men, participate in a procession before taking a “shahi snans”, or holy bath, at the Sangam river, the confluence of three of the holiest rivers in Hindu mythology, the Ganga, the Yamuna and the Saraswati, during Kumbh Mela festival in Allahabad, Uttar Pradesh, India, 15 January 2019. The Hindu festival is one of the biggest in India and will be held from 15 January to 04 March 2019 in Allahabad. (Photo by Rajat Gupta/EPA/EFE)

A man carries his wife over an obstacle while competing in the Wife Carrying Championship to mark City Day in Krasnoyarsk, Siberia, Russia, June 25, 2016. (Photo by Ilya Naymushin/Reuters)

A woman takes part in a rally in support of jailed Russian opposition leader Alexei Navalny in Omsk, Russia on January 23, 2021. (Photo by Alexey Malgavko/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)