The Berenson robot strolls among visitors during the exhibition “Persona : Oddly Human” at the Quai Branly museum in Paris, France, February 23, 2016. The Berenson robot, developed in France in 2011, is the brainchild of anthropologist Denis Vidal and robotics engineer Philippe Gaussier. Its programming allows it to record reactions of museum visitors to certain pieces of art and then use the data to develop its own unique taste, which allows “Berenson” to judge whether or not it likes a certain work of art within an exhibition. (Photo by Philippe Wojazer/Reuters)

A driver steers a lorry laden with bags of plastic bottles across a recycling yard at the outskirts of Beijing, China, August 19, 2016. As authorities try to control Beijing's burgeoning population and capitalize on skyrocketing land prices, scrap collectors say they are being pushed out despite playing a vital role in China's unique recycling ecosystem. (Photo by Thomas Peter/Reuters)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

A flash of lightning lights up a raincloud hovering over a township in Dharmsala, India, Sunday, April 19, 2020. (Photo by Ashwini Bhatia/AP Photo)

Belgium. Rosalie, 9, goes to school in Brussels. “At my school we have separate toilets for girls and boys on every floor. My classroom is on the 3rd floor. We have 22 toilets, which are shared between 230 pupils and 20 adults. The teachers at school let us go to the toilet whenever we need to”. (Photo by Tim Dirven/WSUP/Panos)

A woman stumbes as people run down Oxford Street, London, Britain, November 24, 2017. Police are responding to reports of an incident at London's Oxford Circus Tube station and have urged the public to avoid the area. (Photo by Peter Nicholls/Reuters)

Bloodthirsty by Thomas P. Peschak, Germany/South Africa — winner, Behaviour: birds. When rations run short on Wolf Island, in the remote northern Galápagos, the sharp-beaked ground finches become vampires. Their sitting targets are Nazca boobies and other large birds. The finches rely on a scant diet of seeds and insects, which regularly dries up, so they drink blood to survive. ‘I’ve seen more than half a dozen finches drinking from a single Nazca booby,’ says Tom. Rather than leave their nests the boobies tolerate the vampires, and the blood loss doesn’t seem to cause permanent harm. (Photo by Thomas P. Peschak/2018 Wildlife Photographer of the Year)