Filipino typhoon survivor children, who escaped after their village was attacked by allegedly armed men, wait for social workers in the super typhoon devastated city of Tacloban, Leyte province, Philippines, 13 November 2013. Aid workers and relief supplies were being poured into eastern provinces hit by Typhoon Haiyan, which aid agencies and officials estimated has left thousands dead and staggering destruction in its wake. The official death toll in the Philippines from one of the world’s strongest typhoons rose to 1,833, the national disaster relief agency said with many towns still unaccounted for. (Photo by Dennis M. Sabangan/EPA)

Model Bella Hadid is seen on June 9, 2017 in Paris, France. (Photo by Marc Piasecki/GC Images)

Selena Gomez, left, and Taylor Swift arrive at the 58th annual Grammy Awards at the Staples Center on Monday, February 15, 2016, in Los Angeles. (Photo by Jordan Strauss/Invision/AP Photo)

Members of the Apollo Rainbow Dancers stretch out in special A train late on May 4, 1985, in New York. The legendary Apollo Theatre celebrated its 50th anniversary in an official reopening after a 15 month refurbishing with a celebrity studded evening. (Photo by Ray Stubblebine/AP Photo)

In April 2011 last factory in the world on manufacture of typewriters was closed. The epoch of typewriters has ended...

Photo: A model of a commercial typewriter from 1867. (Photo by Topical Press Agency/Getty Images). June 1923

Khloe Kardashian and Kris Jenner exit a studio in LA with Lisa Rinna, Kyle Richards, and a film crew. (Photo by Backgrid USA)

Russian model Irina Shayk in the last decade of August 2023 sent fans wild with these shots of her posing topless on rocks. (Photo by irinashayk/Instagram)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)