Dr. P.A. Smithe was sent by the American Red Cross as a doctor and surgeon to work at a hospital in Vienna. He sailed to Europe in December 1915 and returned home in August 1916, according to his daughter, who donated his images to the National World War I Museum. Photo: Turkish army, including cavalry, infantry and artillery. (Photo by Dr. P.A. Smithe/National World War I Museum, Kansas City, Mo.)

A young woman flashes the victory sign in front of a bonfire as Turkish Kurds gather during Newroz celebrations for the new year in Diyarbakir, southeastern Turkey, on March 21, 2018. Newroz (also known as Nawroz or Nowruz) is an ancient Persian festival, which is also celebrated by Kurdish people, marking the first day of spring, which falls on March 21. (Photo by Ilyas Akengin/AFP Photo)

American paratroopers from the the 82nd Expeditionary Rescue Squadron take part in training for rescue operations in East Africa in the last decade of April 2024. (Photo by Senior Airman Olivia Gibson/US Air Force/CMA)

A worker fills a public bus with diesel as the bus driver and passengers look on, at a fuel station in Kolkata, India, February 1, 2017. (Photo by Rupak De Chowdhuri/Reuters)

A woman paints the floor of a pond as her child pulls at her saree in Delhi, India November 23, 2016. (Photo by Cathal McNaughton/Reuters)

A tale of two foxes. Surprising behaviour, witnessed in Wapusk national park, on Hudson Bay, Canada, in early winter. Red foxes don’t actively hunt Arctic foxes, but where the ranges of two predators overlap, there can be conflict. Though the light was poor, the snow-covered tundra provided the backdrop for the moment that the red fox paused with the smaller fox in its mouth in a grim pose. (Photo by Don Gutoski/2015 Wildlife Photographer of the Year)

People dressed in fifties-style outfits dance during the 23rd Rockin' Race Jamboree International Festival in downtown Torremolinos, near Malaga, southern Spain February 4, 2017. (Photo by Jon Nazca/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)