An environmental activist adjusts his mask while taking part in “The Dead Sea Swim Challenge”, swimming from the Jordanian to Israeli shore, to draw attention to the ecological threats facing the Dead Sea, in Kibbutz Ein Gedi, Israel November 15, 2016. Swimmers from around the world plunged into the salty waters of the Dead Sea on Tuesday to attempt a seven-hour swim across the fabled lake in a bid to draw attention to its environmental degradation. Wearing protective masks and snorkels, 25 swimmers paddled through the muddy water to attempt the 9-mile (15-kilometer) swim from Jordan to Israel. (Photo by Nir Elias/Reuters)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

Visitors walk past the fully equipped dining table inside the “Crazy House”, which is completely built upside-down, in the village of Affoldern near the Edersee lake, May 7, 2014. Three friends came up with the idea to build the tourist attraction, which cost about 200,000 euros and took some six weeks to complete. (Photo by Kai Pfaffenbach/Reuters)

Actress with the Donbass Opera Theatre prepares to perform Eugene Onegin in Donetsk, Ukraine, Saturday, February 7, 2015. For the few dozen spectators that turn up, the weekly performances at the city's opera house serve as a respite from the war raging outside between Russian-backed separatists and Ukrainian government forces. (Photo by Petr David Josek/AP Photo)

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.