In a picture taken with an underwater camera, a couple stands in front of a Polynesian priest during their underwater wedding ceremony on October 25, 2014 in Bora-Bora, in French Polynesia. The ceremony lasts twenty minutes and costs around 2700 euros. (Photo by Ben Thouard/AFP Photo)

A dachshunds is dressed in an outfit as it is shown off during the eighth annual Dachshunds Parade in Saint Petersburg, Russia on May 25, 2019. (Photo by Olga Maltseva/AFP Photo)

A Maori soldier runs as New Zealand's soldiers march down the Champs Elysees in Paris during a rehearsal of the annual Bastille Day military parade on July 12, 2016. (Photo by Thomas Samson/AFP Photo)

An artist applies henna on the hand or a woman during the Hindu festival of lights, Diwali, in Taipei, Taiwan, Thursday, November 4, 2021. Millions of people across Asia are celebrating the Hindu festival of Diwali, which symbolizes new beginnings and the triumph of good over evil and light over darkness. (Photo by Chiang Ying-ying/AP Photo)

«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)

A Palestinian female masked militant from the Al-Quds Brigades, the military wing of the Islamic Jihad, takes part in an Islamic Jihad rally in Rafah, southern Gaza Strip, 29 July 2016. (Photo by Mohammed Saber/EPA)

A woman uses a tree branch to fight a fire on the road leading to the village of Parada, near Mortagua, northern Portugal, Thursday, August 11 2016. Firefighters in Portugal are battling multiple blazes fed by brush in a hot, dry summer for a sixth straight day. Major fires have also been raging in northwestern Spain and southern France. (Photo by Sergio Azenha/AP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)