Mikhail Baburin, 66, talks to his cat Marquis at his house in the remote Siberian village of Mikhailovka, Krasnoyarsk region, Russia, December 5, 2016. Baburin, a former Navy man, barge worker and employee of a military plant in Krasnoyarsk, is the last inhabitant of Mikhailovka, which was founded in the 19th century by migrants from Russia's Mordovia region. He moved in 2000 to Mikhailovka where he was born and has lived there all alone for the last 10 years with only domestic animals. (Photo by Ilya Naymushin/Reuters)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)

Japanese artist Mami Kiyoshi has spent 15 years creating vivid portraits of people surrounded by their belongings – from wine bottles and violins to the odd stray pet. Mami Kiyoshi’s ongoing series “New Reading Portraits” is, in part, a nod to the mise-en-scène found in traditional woodcut printing. Here: Sakura and Kazuhiro, Tokyo, 2015. (Photo by Mami Kiyoshi/Galerie Annie Gabrielli/The Guardian)

The War in Abkhazia from 1992 to 1993 was fought between Georgian government forces for the most part, and Abkhaz separatist forces, Russian armed forces and North Caucasian militants. Ethnic Georgians who lived in Abkhazia fought largely on the side of Georgian government forces. Ethnic Armenians and Russians within Abkhazia's population largely supported the Abkhazians, and many fought on their side. The separatists received support from thousands of North Caucasus and Cossack militants and from the Russian Federation forces stationed in and near Abkhazia. Here: Abkhazia. Sukhumi, 1993. A house-to-house combat. (Photo by Andrei Solovyov/ITAR-TASS)

Project Mermaids model. Project Mermaids lets ocean-lovers don tails and live out their siren fantasies. Clients can pay for a shoot that is either on land or underwater, with the images looking to raise awareness about preservation of beaches, seas and oceans. The project – which is shot by photographers Angelina Venturella and Chiara Salomoni – started purely to raise awareness, with celebrities dressing up as sirens as part of the cause. (Photo by Angelina Venturella/Chiara Salomoni/Caters News Agency)

A migrant holds a placard which reads “No Forced Deportations” as he rides his bicycle at the makeshift camp called “The New Jungle” in Calais, France, September 18, 2015. Around 3,500 migrants and refugees are camped in Calais, fleeing war and poverty in the Middle East, Africa and Asia and now living in the jungle. Most of them are hoping to make the crossing to England. (Photo by Regis Duvignau/Reuters)

People stand in the middle of the graves and in front of giant kites in the cemetery of Santiago Sacatepequez, Guatemala, November 1, 2015. Dating back 116 years, the tradition of flying kites in the cemetery of of Santiago Sacatepequez, integrates the Catholic feast of All Saints with ancient Mayan practices of honouring the dead. It is believed that the kites connect the living and the dead during the all saints day celebration. (Photo by Jorge Dan Lopez/Reuters)

Zahra Lari runs in a scene shot for the Nike Middle East ad campaign filmed in Dubai, UAE, February 10, 2017. An online commercial released by Nike (NKE.N) this week that showed Arab women fencing, boxing and spinning on ice-skates has stirred controversy over its attempt to smash stereotypes about women leading home-bound lives in the conservative region. (Photo by Reuters/Nike)