Vintage Newton, a pop-up exhibition of Helmut Newton prints from 1974-1984, opens in west London at the ONGallery. These prints, which feature Charlotte Rampling and Elsa Peretti, were produced from a series of transparencies that he considered his most provocative and important. Here: Saddle II. (Photo by Helmut Newton)

Revellers from Russia parade during the Aoussou Carnival in Sousse, Tunisia July 26, 2015. (Photo by Anis Mili/Reuters)

A man dressed as Santa Claus skateboards down Fifth Avenue towing a dog before the annual Christmas tree lighting ceremony at Rockefeller Center in New York on December 5, 2019. (Photo by John Angelillo/UPI/Barcroft Media)

A sеx doll is seen on a bed at the doll brothel “Dollhaus” in Speyer, Germany, 10 December 2018. The “Dollhaus” is the first brothel with sеx dolls only in Germany. The “Dollhaus”, in Speyer, is the brainchild of businessman Raphael Abelmann who says his girls – including ladyboy versions – are the future of the sеx industry. (Photo by Ronald Wittek/EPA/EFE)

A newlywed couple dangling from a cliff face poses for wedding photos at the Chaya Mountain scenic spot on November 11, 2017 in Zhumadian, Henan Province of China. Chaya Mountain scenic spot was the shooting place for TV series “Journey to the West” and working staff dressed as main characters in this TV series to send the blessing to the newly-weds. (Photo by Sipa Asia/Rex Features/Shutterstock)

Samurai commiting seppuku (hara-kiri) in Japan, circa 1880. (Photo by adoc-photos/Corbis via Getty Images)

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)

US Vogue’s top fashion editor works with photographers to inject style with sci-fi and fantasy. A new book, “Stoppers: Photographs from My Life at Vogue” by Phyllis Posnick and Vogue’s chief editor, Anna Wintour, highlights the results. Here: Surburban Woman #10, Mountainville, New York, August 2006. (Photo by Steven Klein)