A dog named Luna high-fives a person in the Angelino Heights neighborhood of Los Angeles, California, U.S., August 26, 2022. (Photo by Mario Anzuoni/Reuters)

Dressed in a torn sleeveless t-shirt, sweatpants, and an ominous looking gas mask, the talented mind of Jessica Dunegan swirls with creative ideas for turn flat pictures into surreal pieces of art with depth, texture, and shine. Jessica’s selection of media is far different than most creators of surreal portraits.

Lady Gaga performs at Staples Center on August 11, 2010 in Los Angeles, California. (Photo by Jason Merritt/Getty Images)

Members of the Moroccan Royal Armed Forces Rescue and Relief Unit take part in a biochemical simulation organized by the US Defense Threat Reduction Agency (DTRA) as part of the “African Lion” military exercise, in the port of Agadir, on June 15, 2021. (Photo by Fadel Senna/AFP Photo)

Aerial photo taken on March 4, 2017 shows cole flower fields in Luoping County, southwest China's Yunnan Province. (Photo by Xinhua/Barcroft Images)

The sun rises between Sgurr nan Gillean and Knight’s Peak, Black Cuillin, Isle of Skye. (Photo by Adrian Trendall/Mountain Photo of the Year)

Dancers attend a dress rehearsal for the new grand show “THE WYLD” at Friedrichstadt-Palast in Berlin October 2, 2014. Ten choreographers are working with 60 dancers from the world's largest show ballet company to create the flamboyant stage spectacle. The show's name, “THE WYLD”, represents human nature in its diversity and the wilderness of the big city – in this case, Berlin. The premiere of the 10.6 million euro ($13.5 million) show, the largest production budget in the 95-year history of Friedrichstadt-Palast, is on October 23, 2014. (Photo by Hannibal Hanschke/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)