Man prepares wigs as he waits for customers in downtown Johannesburg, on August 5, 2014. Some estimates put Africa's dry hair industry at as much as $6 billion a year; Nigerian singer Muma Gee recently boasted that she spends 500,000 naira ($3,100) on a single hair piece made of 11 sets of human hair. (Photo by Siphiwe Sibeko/Reuters)

Aerial photo taken on April 10, 2022 shows the construction site of Haikou duty-free shopping complex in Haikou, south China's Hainan Province. With a total construction area of about 926,000 square meters, the Haikou duty-free shopping complex project is expected to be officially put into use this year. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

Bonita the border collie sticks out in the bluebells at Kingley Vale, Chichester in West Sussex, England in the last decade of April 2024. (Photo by Trevor Adams/Matrix Pictures)

Racegoers react as they leave after the second day of the Grand National meeting at Aintree, northern England April 5, 2013. (Photo by Nigel Roddis/Reuters)

ATTENTION: VISUAL COVERAGE OF SCENES OF INJURY AND DEATH

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A man sits waiting for a train on the London Underground in 1890, when the platform floors were still made from wooden floorboards. (Photo by Hi-Story/Alamy Stock Photo)

An aerial view shows a packed parking lot at Citadel Outlets in Commerce, Calif., Thursday, November 28, 2024, as early Black Friday shoppers arrive at the mall. (Photo by Jae C. Hong/AP Photo)

A woman walks behind the installation “Wandering boy is forever attractive” (1985) by Tetsumi Kudo during the press preview at the exhibition “Tetsumi Kudo – Retrospective” in the Fridericianum in Kassel, Germany, Friday, September 23, 2016. The exhibition offers an in-depth, comprehensive view of works by the Japanese artist Kudo. It starts on Sept. 25, 2016 and lasts until Jan. 1, 2017. (Photo by Jens Meyer/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)