Young women wear kimonos to mark “Coming of Age Day” to honour people who turn 20 this year to signify adulthood, in Yokohama, Kanagawa prefecture on January 9, 2023. (Photo by Philip Fong/AFP Photo)

Amish girls play softball after class during an end of the school year celebration on Tuesday, April 9, 2013 in Bergholz, Ohio. The celebration was also part of a farewell picnic for four women and one man from this tight-knit group in rural eastern Ohio who will enter prison on Friday, April 12, joining nine already behind bars on hate crimes convictions for hair- and beard-cutting attacks against fellow Amish. (Photo by Scott R. Galvin/AP Photo)

Four-year-old Solaris Arias (right) jumps through water spraying from an open fire hydrant in Providence, Rhode Island, on June 20, 2012. Much of the state remained under a heat advisory Tuesday afternoon because of the steamy air mass that has moved into the region resulting in temperatures in the 90s. (Photo by Steven Senne/AP Photo)

The aerial view shows terraced hills at Helin village in Anqing, in eastern China's Anhui province on January 12, 2024. (Photo by AFP Photo/China Stringer Network)

“Ben Heine (born 12 June 1983 Abidjan, Ivory coast) is a Belgian multidisciplinary artist. Starting as a painter and political cartoonist, he became more widely known in 2011 for his “Pencil vs Camera” and “Digital Circlism” projects”. – Wikipedia (Photo by Ben Heine; Source: Flickr)

Kaitlin, 28, from the United States is suspended from hooks pierced through her skin by the professional body artist Dino Helvida in Zagreb, Croatia June 7, 2016. (Photo by Antonio Bronic/Reuters)

A migrant smokes a cigarette as he waits among others to cross the Croatian border near the village of Berkasovo, Serbia October 19, 2015. Thousands of migrants clamoured to enter European Union member Croatia from Serbia on Monday after a night spent in the cold and mud of no-man's land, their passage west slowed by a Slovenian effort to impose limits on the flow to western Europe. (Photo by Marko Djurica/Reuters)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)