Children react as they celebrate Guy Fawkes day in Soweto, South Africa, on November 5, 2014. (Photo by Siphiwe Sibeko/Reuters)

French photographer and director Romain Laurent started making portrait-based GIFs as a way to produce work outside his commercial jobs, a spontaneous project that would encourage him to produce consistently for himself rather than clients.

Alexis Marcou is a visual artist known for his commercial and self initiated work. He has done freelance work for clients such as Nike, Inc., Atomic Skis, Hewlett Packard, Cisco, Gatorade, Boehringer Ingelheim, BMW and Acco Brands.

People will spout about impermanence of digital records, but books are really fragile, too. Alexis Arnold from San Francisco wanted to illustrate that with her project The Crystallized Book: collecting books and growing Borax crystals on them. Books range from literature classics to magazines, and there’s even a mysterious and arcane tome called “Linux: The Complete Manual”.

French art director Alexis Persani has collaborated with french photographer Leo Caillard to create a series of in vogue sculptures, entitled “street stone”. The ensembles are achieved through image manipulation, using photoshop to digitally dress the statues in the latest fashion trends. Persani and Caillard created the project as a humorous take on the contrast between contemporary and classic culture, demonstrating the vast metamorphose society has undergone, and continues to.

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

Venezuela: An anti-government protester wearing a Guy Fawkes mask throws a molotov cocktail at the Bolivarian National Police during clashes in Caracas, Venezuela, Thursday, April 17, 2014. Opposition protesters have been demonstrating against high crime, high inflation and shortages of basic goods since mid-February. (Photo by Ramon Espinosa/AP Photo)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.