A French riot police officer is surrounded by flames, during a demonstration against the controversial labour reforms of the French government in Paris on September 15, 2016. Opponents of France's controversial labour reforms took to the streets on September 15, 2016 for the 14th time in six months in a last-ditch bid to quash the measures that lost the Socialist government crucial support on the left. Scores of flights in and out of France were cancelled as air traffic controllers went on strike to try to force the government to repeal the changes that became law in July. (Photo by Thomas Samson/AFP Photo)
A woman holds a placard that reads, “I am Charlie”, during a vigil to pay tribute to the victims of a shooting by gunmen at the offices of weekly satirical magazine Charlie Hebdo in Paris, at Trafalgar Square in London January 7, 2015. (Photo by Stefan Wermuth/Reuters)
Masked youths face off with French police and gendarmes during a demonstration in Paris as part of nationwide protests against plans to reform French labour laws, France, June 14, 2016. (Photo by Willi Effenberger/Pacific Press/SIPA Press)
A British Museum representative poses for photographs next to Andy Warhol's “Mao”, left, and Jim Dine's “Drag: Johnson and Mao” which feature in “The American Dream: pop to the present” exhibition during a media photocall at the British Museum in London, Monday, March 6, 2017. The exhibition, which opens to the public from March 9 and runs until June 18, charts modern and contemporary print making. (Photo by Matt Dunham/AP Photo)
Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)
Gus Palmer (Kiowa, at left), side gunner, and Horace Poolaw (Kiowa), aerial photographer, in front of a B-17 Flying Fortress. MacDill Field, Tampa, Florida, ca. 1944. (Photo and caption by 2014 Estate of Horace Poolaw)