An Anti-Capitalist protestor from the Occupy LSX movement at St. Paul's Cathedral on February 22, 2012 in London, England. (Photo by Matthew Lloyd/Getty Images)

Twenty five life-size donkeys have been given pride of place in St Paul's Cathedral as part of an interfaith exhibition. They've been painted by Egyptian and Western artists, to show solidarity for the people of Egypt. Photo: Artist painted donkey statues are displayed in the “Caravan” exhibition on August 30, 2013 in London, England. (Photo by Peter Macdiarmid)

Protest posters are attached to the walls surrounding the “Occupy London” camp outside St. Paul's Cathedral on November 01, 2011 in London, England. The Dean of St. Pauls Cathedral The Very Reverend Graeme Knowles resigned yesterday over the church's handling of the anti-capitalist “Occupy London” demonstration, which continues to occupy the grounds outside the cathedral. (Photo by Dan Kitwood/Getty Images)

Artist Ted Harrison makes final adjustments to his artwork created with poppies on the floor of St. Paul's Cathedral on November 10, 2011 in London, England. Mr. Harrison created the work on a 30 foot disc under the main dome of the cathedral with the intention of drawing attention to the 250,000 children worldwide currently under military orders. (Photo by Peter Macdiarmid/Getty Images)

A Palestinian reveller takes part in a colours festival organized by Palestinian activists in the West Bank city of Ramallah August 20, 2015. The festival is inspired by the Hindu spring festival of Holi. (Photo by Mohamad Torokman/Reuters)

Women dance in costume during the West Indian Day Parade in Brooklyn, New York September 7, 2015. The parade, which takes place annually, celebrates Caribbean culture and history. (Photo by Andrew Kelly/Reuters)

Cameras seem weightless, flying through the air in Paul Octavious’ Birds Of Aperture series.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.