A blurred panaroma of Roemerberg historic center is reflected in a soap bubble in Frankfurt am Main, Germany, 09 July 2015. (Photo by Frank Rumpenhorst/EPA)
People are seen at Avalon Beach on December 18, 2020 in Sydney, Australia. A cluster of Covid-19 cases on the northern beaches of Sydney has grown to 28, prompting NSW health officials to urge residents of affected suburbs to stay home. Traffic at Sydney Airport has increased as people rush to leave the city with several states imposing quarantine restrictions for New South Wales residents. (Photo by Jenny Evans/Getty Images)
In this handout image provided by the Police of Swiss canton Valais the wreckage of a bus is seen after it crashed inside a motorway tunnel on March 13, 2012 in Sierre, Switzerland. 28 people, including 22 children, returning from a skiing holiday died in this bus accident. (Photo by Police Cantonale Valaisanne via Getty Images)
A young lady blows a balloon during a federal conference of the German Pirate Party (Piratenpartei) on December 3, 2011 in Offenbach, Germany. (Photo by Ralph Orlowski/Getty Images)
A woman takes a photo of a mural by Berlin-based street artist Eme Freethinker featuring the likeness of US actor Will Smith (R) slapping US comedian Chris Rock during the Oscars ceremony, in Berlin on March 30, 2022. (Photo by John MacDougall/AFP Photo)
Iraqi Kurdish female fighter Haseba Nauzad looks through a pair of binoculars during a deployment near the frontline of the fight against Islamic State militants in Nawaran near Mosul, Iraq, April 20, 2016. (Photo by Ahmed Jadallah/Reuters)
Bonhams employee Craig Binns polishes a, 1903 two seater moter car, the world oldest surviving Vauxhall, on November 1, 2012 in London, England. The Car is part of a Veteran Car Sale at Bonhams and is valued at around 80,000 pounds (Photo by Bethany Clarke)
Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)