CHINA: Customers eat at a restaurant as a cooked pig sits on a cart on the street outside in Hong Kong, China, December 12, 2016. (Photo by David Gray/Reuters)

Residents wearing masks to protect from the coronavirus cross a junction in Beijing on Wednesday, January 20, 2021. (Photo by Ng Han Guan/AP Photo)

A girl wears a mask to help protect herself from the new coronavirus jogs as the sun sets over the Mediterranean Sea coastline, in Beirut, Lebanon, Tuesday, April 14, 2020. (Photo by Hassan Ammar/AP Photo)

Leonhard Nienbling is shown with his 6-month old pet baboon Jackl, who holds a 6-month old kitten, its playmate, June 29, 1952. Niebling has quite an animal collection at his home in Zirndorf, Germany. (Photo by Heinrich Sanden/AP Photo)

A shepherd rides a donkey as he leads sheep during winter in Van, Turkiye on February 19, 2022. Despite the terrible winter weather and the hard geology of the region, breeders in Van's Gurpnar district, where livestock is the most important source of revenue, do not disregard the care of their animals. Livestock farmers in the Cepkenli and Topcudegirmeni neighborhoods have the similar difficulties as those in rural areas, where the snow depth reaches one meter. (Photo by Ozkan Bilgin/Anadolu Agency via Getty Images)

Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.

A reveller dances during “Lou Queernaval” parade, the first lesbian, gay, bisexual and transgender (LGBT) carnival in France, as part of the Carnival of Nice February 19, 2016. (Photo by Eric Gaillard/Reuters)

Film technicians at Pinewood Studios set up a miniature air crash sequence for the Jack Gold film “The Medusa Touch”, using scale models of a Boeing 747 and a skyscraper. (Photo by Alan F. Davis/Keystone/Getty Images). 9th August 1977