People take part in a water gun battle as part of the annual Songkran festival, also known as water festival, the traditional Thai New Year celebrations, at the tourist spot of Khao San Road in Bangkok, Thailand, 13 April 2023. Thailand celebrates its first water-splashing Songkran festival following a three-year pause due to the COVID-19 pandemic. Songkran is celebrated with splashing water and putting powder on each other's faces as a symbolic sign of cleansing and washing away the sins from the old year. (Photo by Rungroj Yongrit/EPA)

A woman dressed in a cheongsam interacts gracefully with vibrant fish lanterns at Kwai Chai Hong, a heritage revival alley in Chinatown, on January 09, 2025, in Kuala Lumpur, Malaysia. Kwai Chai Hong celebrates the Lunar New Year with an immersive art installation titled Bountiful Blessings, inspired by the idiom “Nian Nian You Yu”, which translates to “Wishing an Abundance Year After Year”, blending traditional fish lanterns with modern lights to inspire abundance and prosperity, inviting visitors to embark on a cultural journey of generosity and abundance for future generations. (Photo by Annice Lyn/Getty Images)

Pangolins in Crisis: Brent Stirton, South Africa; 1st place, Natural world and wildlife. “Pangolins are the world’s most illegally trafficked mammals, with an estimated one million trafficked to Asia in the last 10 years. Their scales are used in traditional Chinese and Vietnamese medicine, and their meat is sold as a high-priced delicacy. As a result, pangolins are listed as critically endangered and anyone who trades or consumes them is breaking the law. This body of work exposes the trade, while exploring aspects of illegality and celebrating the people who are trying to save these animals”. (Photo by Brent Stirton/Sony World Photography Awards 2020)

Children dressed in festival costume sit on the huge paper doll of historical Japanese figure named Hashi-Benkeii on the carts during the Mikuini annual festival on May 20, 2014 in Sakai, Japan. The annual festival takes place from May 19-21 and is attended by thousands of visitors. During the festival people dressed in traditional Japanese costumes pull carts carrying 6 meter high dolls of Japanese historical figures through the narrow streets. The origins of the festival are unclear but its history can be traced back more than 250 years. (Photo by Buddhika Weerasinghe/Getty Images)

The new curvy Barbie doll body shape (L) is seen next to the traditional Barbie in a combination of photos released by Mattel on January 28, 2016. Barbie, the world's most famous doll, has a new body. In fact, she has three new bodies – petite, tall and curvy. Some 57 years after the impossibly busty and narrow-waisted blue-eyed Barbie doll was first introduced, California-based toy maker Mattel on Thursday released the new models, which it says better reflect a changing world. (Photo by Reuters/Mattel)

Girls dressed in “Hanfu”, or Han clothing, prepare for an event to mark the traditional Qixi festival, the Chinese equivalent of Valentine's Day, at a park in Beijing, China, August 7, 2019. Chinese for “Han clothing”, “Hanfu” is based on the idea of donning costumes worn in bygone eras by China's dominant Han ethnicity. Some of the most popular styles are from the Ming, Song and Tang dynasties. Hanfu enthusiasts doubled to two million in 2018 from a year earlier, according to a survey by Hanfu Zixun, a popular community account on the Wechat social media platform. (Photo by Jason Lee/Reuters)

A woman with a snake on her body, taken in Rio de Janeiro, Brazil, April 2017. A holistic therapist uses snakes to massage her clients – claiming it cures depression and even helps victims of abuse. Instead of traditional massaging techniques, Sarah Zaad uses up to six pythons and boa constrictors on brave customers who want to relax or be treated for mental disorders. The flamboyant therapist from Rio de Janeiro, Brazil believes her snakes have a magic touch, which can benefit people by massaging their bodies. (Photo by Kadeh Ferreira/Barcroft Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.