Sudanese fishermen check their boats and nets before they row through the waters of Nile River near Jebel Aulia, Sudan, May 3, 2019. (Photo by Umit Bektas/Reuters)

Workers wearing face masks as a protection against the coronavirus disease (COVID-19) carry roasted pigs, locally known as “lechon”, at a restaurant, in Quezon City, Metro Manila, Philippines, December 21, 2020. (Photo by Lisa Marie David/Reuters)

A woman kisses her mother during a New Year's Eve party in Quezon City, Metro Manila, Philippines on December 31, 2022. (Photo by Eloisa Lopez/Reuters)

This photo taken on January 30, 2020 shows officials in protective suits checking on an elderly man wearing a facemask who collapsed and died on a street near a hospital in Wuhan. AFP journalists saw the body on January 30, not long before an emergency vehicle arrived carrying police and medical staff in full-body protective suits. The World Health Organization declared a global emergency over the new coronavirus, as China reported on January 31 the death toll had climbed to 213 with nearly 10,000 infections. (Photo by Hector Retamal/AFP Photo)

Two years ago, Mark Rober was an engineer at NASA’s Jet Propulsion Laboratory in Pasadena, California, part of a team that worked on the Curiosity rover. For Halloween, he strapped an iPad to his chest and another to his back. Then he turned them on and used the devices’ cameras and screens to make it appear as if he had a gaping hole in the middle of his torso. (Photo By Mark Rober)

Brave photographer Masa Ushioda captured the shots of this wild gator in vast marsh land in the Everglades National Park, in Florida, USA. He said: “Bright sunlight and blue sky were critical elements in this picture – in addition to getting a wild 10-foot alligator in the middle of the viewfinder with a perfect angle”.

Artist Vik Muniz is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.

32 year old Mahada Khatum repairs a fishing net outside her home in the Shamalapur Rohingya refugee settlement on April 11, 2014 in Chittagong district, Bangladesh. Some years ago she escaped violence and discrimination from the Zomgara Baharchara village in the Meherulla district of Myanmar. (Photo by Getty Images/Stringer)