Migrants play soccer at makeshift camp in Via Cupa (Gloomy Street) in downtown Rome, Italy, August 2, 2016. Italy is taking in thousands of boat migrants every week for a third year in a row, and friction is common between them and those who live along the path many take on their journey towards northern Europe. (Photo by Max Rossi/Reuters)

Ostriches wear masks as they are transported by a truck for relocation in Zhengzhou, Henan Province, China, August 8, 2016. (Photo by Reuters/Stringer)

A visitor jumps for a photograph on the world's highest and longest glass-bottomed bridge above a valley in Zhangjiajie in China's Hunan Province on August 21, 2016. The bridge, which opened to the public on a trial basis on Saturday, spans 430 meters (1,410 feet) and rises about 300 meters (984 feet) above a valley in a scenic zone, making it the world's highest and longest glass-bottomed bridge according to Chinese state media. (Photo by Fred Dufour/AFP Photo)

A chained male monkey in a costume and wearing a toy mask performs at a street in Depok, West Java, Indonesia, 30 September 2021. A performing monkey in a street, known as “Topeng Monyet” (lit. Monkey Mask), is a popular form of cheap entertainment in Indonesia, especially on the island of Java. (Photo by Adi Weda/EPA/EFE)

David Pariken 46, of the indigenous Maasai community, roasts meat at the inaugural Maa Cultural Week dubbed The Maa-Festival aimed to promote peace, tourism, and cultural exchange as the wildebeests (Connochaetes taurinus) make their annual cross border migration at the Sekenani village, in the Maasai Mara National Reserve, in Narok County, Kenya on August 22, 2023. (Photo by Thomas Mukoya/Reuters)

A woman uses a plastic bad to protect her head amid snowfall in Beijing, China on December 14, 2023. (Photo by Tingshu Wang/Reuters)

Georgia Baker, 12, enjoys the bright yellow Sunflower field on a farm near Christchurch in Dorset on August 7, 2022. (Photo by Rachel Baker/Bournemouth News)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)