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Writing about the Ambassador, the art critic Robert Melville said it was “the most daring and enterprising trade journal ever conceived … No other magazine … has so consistently and brilliantly demonstrated the relevance of works of art to the problems of industrial design”. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)

“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)
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31 Mar 2018 00:05:00
Amazing Art By Apofiss

hello! finally I got together all my energy leftovers from the day to write a journal entry... and stright to the point about commission works, yup those are still CLOSED. at this point I'm trying to take more time just to draw and paint for myself ( just like in childhood times haha ). whenever I will feel like opening more personal commission work slots I will definitely let you all know ( just in case I must warn about a little price rise, yup o; ). sooner or later I will open few slots this year!
Apofiss
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27 Aug 2013 14:07:00
Childrens watch the wax figure of Anne Frank and their hideout reconstruction at Madame Tussauds in Berlin, Germany

“Annelies Marie “Anne” Frank (12 June 1929 – early March 1945) was one of the most renowned and most discussed Jewish victims of the Holocaust. Acknowledged for the quality of her writing, her diary has become one of the world's most widely read books, and has been the basis for several plays and films”. – Wikipedia

Photo: Childrens watch the wax figure of Anne Frank and their hideout reconstruction at Madame Tussauds on March 9, 2012 in Berlin, Germany. (Photo by Andreas Rentz/Getty Images)
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09 Mar 2012 11:59:00
Charlotte Roirdan from Lyon & Turnbull views a letter written by Mary Queen of Scots

Charlotte Roirdan from Lyon & Turnbull views a letter written by Mary Queen of Scots on March 8, 2012 in Edinburgh, Scotland. The 450 year old letter, unearthed in Blair Castle in Ayrshire, has been verified as the hand writing of Mary Queen of Scotts and has been valued at 3,000 GBP. The letter, dated March 20, 1554, relieves the then laird of Blair from his duties due to gout and will be put up for sale next week at an auction in Edinburgh. (Photo by Jeff J. Mitchell/Getty Images)
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11 Mar 2012 10:19:00
A woman looks at traditional Ukrainian Easter eggs “Pysanka”, installed as part of the upcoming celebrations of Easter, in central Kiev, Ukraine, April 29, 2016. A pysanka is a Ukrainian Easter egg, decorated with traditional Ukrainian folk designs using a wax-resist (batik) method. The word pysanka comes from the verb pysaty, “to write”, as the designs are not painted on, but written with beeswax. Many other eastern European ethnic groups decorate eggs using wax resist for Easter. These include the Belarusians, Bulgarians, Croats, Czechs, Hungarians, Lithuanians, Poles, Romanians, Serbs, Slovaks, Slovenes and Sorbs. (Photo by Valentyn Ogirenko/Reuters)

A woman looks at traditional Ukrainian Easter eggs “Pysanka”, installed as part of the upcoming celebrations of Easter, in central Kiev, Ukraine, April 29, 2016. A pysanka is a Ukrainian Easter egg, decorated with traditional Ukrainian folk designs using a wax-resist (batik) method. The word pysanka comes from the verb pysaty, “to write”, as the designs are not painted on, but written with beeswax. Many other eastern European ethnic groups decorate eggs using wax resist for Easter. These include the Belarusians, Bulgarians, Croats, Czechs, Hungarians, Lithuanians, Poles, Romanians, Serbs, Slovaks, Slovenes and Sorbs. (Photo by Valentyn Ogirenko/Reuters)
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30 Apr 2016 09:00:00
Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)
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10 Jun 2016 13:30:00
In this photograph taken on September 22, 2016, a Pakistani devotee decorates symbolic paper boats, an offering to Muslim saint Abdulqadir Jilani as a way of giving thanks after their desire to give birth to a son was fulfilled, before dropping it into the water during an annual ceremony on the banks of the River Ravi in Lahore. The ceremony commemorates a centuries-old tale that Muslim saint Abdulqadir Jilani raised a sunken ship carrying a wedding party, at the pleading of the groom's mother, saving all the occupants. (Photo by Arif Ali/AFP Photo)

In this photograph taken on September 22, 2016, a Pakistani devotee decorates symbolic paper boats, an offering to Muslim saint Abdulqadir Jilani as a way of giving thanks after their desire to give birth to a son was fulfilled, before dropping it into the water during an annual ceremony on the banks of the River Ravi in Lahore. The ceremony commemorates a centuries-old tale that Muslim saint Abdulqadir Jilani raised a sunken ship carrying a wedding party, at the pleading of the groom's mother, saving all the occupants. (Photo by Arif Ali/AFP Photo)
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06 Oct 2016 09:19:00
In this Wednesday, July 23, 2014 file photo, Omaha photographer Lane Hickenbottom photographs the night sky in a pasture near Callaway, Neb. With no moon in the sky, the Milky Way was visible to the naked eye. More than one-third of the world’s population can no longer see the Milky Way because of man-made lights, according to a scientific paper by Light Pollution Science and Technology Institute's Fabio Falchi and his team members, published on Friday, June 10, 2016. (Photo by Travis Heying/The Wichita Eagle via AP Photo)

In this Wednesday, July 23, 2014 file photo, Omaha photographer Lane Hickenbottom photographs the night sky in a pasture near Callaway, Neb. With no moon in the sky, the Milky Way was visible to the naked eye. More than one-third of the world’s population can no longer see the Milky Way because of man-made lights, according to a scientific paper by Light Pollution Science and Technology Institute's Fabio Falchi and his team members, published on Friday, June 10, 2016. (Photo by Travis Heying/The Wichita Eagle via AP Photo)
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11 Jun 2016 12:37:00