Macaques huddle together for warmth at a hot spring in Nagano, Japan in the last decade of December 2023. Known as snow monkeys, the animals soak in the 40°C water every day during cold weather, spending their bathtime grooming, snoozing and playing on visitors’ camera tripods. (Photo by David Lazar/Animal News Agency)

A woman reacts after performing Otonamaki, which translates as “adult wrapping”, a new form of therapy where people are wrapped in large swaddling cloth to alleviate posture problems and stiffness, at a session in Asaka, Saitama prefecture, Japan, February 4, 2017. (Photo by Toru Hanai/Reuters)

Zhang Jinduo's wife tries on a self-made racing car on the outskirts of Shenyang, Liaoning province May 10, 2008. Zhang, the 53-year-old local farmer made the racing car with the help of his son who is a car mechanic. The car is equipped with a rear-mounted motorcycle engine and can achieve 60-80 km per hour, according to local media. (Photo by Reuters/Stringer)

A woman photographs a Norwegian spruce Christmas tree from Oslo after it was lit at Trafalgar Square in central London, December 4, 2014. (Photo by Toby Melville/Reuters)

A fruit importer's lorry at Covent Garden, London, with its driver's cabin in the shape of an apple. (Photo by Harold Clements/London Express/Getty Images). October 1928

Measuring just five feet at its widest point, the ultra-thin home was unveiled in the Polish capital of Warsaw on Sunday, October 21, 2012. Photo: The Keret House is squeezed into the space between two apartment buildings in Warsaw. There's a four-inch gap between the apartment buildings to either side. A perforated steel facade was used to allow in more light. (Photo by Andrea Meichsner/The New York Times)

A retrospective of Garry Winogrand's photography is on display at the Metropolitan Museum of Art in New York. It is the first in 25 years of his work. The show was organized by the San Francisco Museum of Art, and the National Gallery in Washington, DC. Photo: New York, 1965. (Photo by Garry Winogrand/The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)