A migrant holds a placard which reads “No Forced Deportations” as he rides his bicycle at the makeshift camp called “The New Jungle” in Calais, France, September 18, 2015. Around 3,500 migrants and refugees are camped in Calais, fleeing war and poverty in the Middle East, Africa and Asia and now living in the jungle. Most of them are hoping to make the crossing to England. (Photo by Regis Duvignau/Reuters)

'Military woman' is a constantly updated gallery of images of women wearing uniform: military, police and so on. We truly hope that our beloved visitors won't remain passive and will take part in this project making it even more interesting! Note that all the images featured in the gallery are taken from publically available sources: their copyright belongs to their respective creators and the trade mark to the owners. ...

A replica of the Wall-E character is remotely controlled with a mobile phone by Bolivian student Esteban Quispe, 17, in Patacamaya, south of La Paz, December 10, 2015. Quispe built the Wall-E robot using materials he obtained from a rubbish dump in the town located in the Andean highland region. He hopes to mechanize agriculture in Patacamaya by making use of robots that operate on solar energy, Quispe told Reuters. (Photo by David Mercado/Reuters)

'Military woman' is a constantly updated gallery of images of women wearing uniform: military, police and so on. We truly hope that our beloved visitors won't remain passive and will take part in this project making it even more interesting! Note that all the images featured in the gallery are taken from publically available sources: their copyright belongs to their respective creators and the trade mark to the owners. ...

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

This year's Republican National Convention and Democratic National Convention both saw passionate delegates in outrageous costumes – but that's where the similarities mostly end. Reuters photographer Jim Young gives a look at what it's like to be on the convention floor and talks to the delegates who make the conventions memorable. (Photo by Jim Young/Reuters)

Picture dated October 23rd, 2018 shows brother and sister Henry (7) and Lily Sales (9) getting in some early practice for the World Puddle Jumping Championships at Wicksteed Park in Kettering, Northants, UK. Organisers have made more puddles than ever before in an attempt to make this year's competition the biggest and best yet. They are also hoping competitors will set a new record for the most people jumping in puddles at the same time. Judges will give scores based on the height of the jump, enthusiasm, distance of splash and stickability (the amount of mud which clings to each competitor). (Photo by Geoff Robinson Photography)

The photos, created by Tito Mouraz in Portugal, look too surreal, and it takes a while to realize that these are actually not painting but reality. The way people can completely transform the terrain is very reminiscent of the way people tend to change themselves. Chip away the granite of their soul, turning it into something that fits their idea of perfection. However, in the end, most of them end up with an obscene parody of beauty, rather than something truly marvelous. The reason for it is probably that people are actually oblivious to the true image of beauty, making them stumble around in the dark, hoping to find something that might not exist at all. (Photo by Tito Mouraz)